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Updated: June 7, 2025
Makes me sick to talk about it; but the skipper of the Taurus was there at the time and he tells me that, though the Valkyrie was pretty well down by the stern, her bulkheads were holding and she wouldn't have sunk if those blamed Frenchmen, fearful that the German fleet was coming back after her, hadn't gone aboard and opened her sea cocks! Yes, sir.
With a local prima-donna, whom you heard in "La Juive", I studied the great final scene of the "Valkyrie." Kirchner accompanied; I hit the notes famously, and this scene, which gave you so much trouble, realised all my expectations. We performed it three times at my house, and now I am quite satisfied.
What have I got to do with princesses? They're out of my sphere. So are Naiads and Dryads and Houris and Valkyrie and other fabulous ladies. The Princess Zobraska has nothing to do with the question." He made a step towards Jane and, his hand on her shoulder, looked at her in his new, masterful way. "I come in the most solemn hour and in the crisis of my life to ask you to marry me.
Could this dignified and lovely young lady be that red-cloaked, loose-haired Valkyrie whom he had seen singing at daybreak upon the prow of the sinking ship, or the piteous bedraggled person whom he had supported from the altar in the Dead Church?
Many things will strike you in it, notably its great simplicity and the few characters amongst whom the action is distributed; but if you think of this piece as placed between the "Valkyrie" and "Siegfried's Death", both of which dramas have a much more complicated action, you will, I have little doubt, in accordance with my intention, receive a peculiar and sympathetic impression from this forest scene, with its youthful, fearless solitude.
There is also the inevitable deterioration in the character of Brynhild, without the compensating elevation in that of her rival by which the Nibelungen Lied places Chriemhild on a height as lofty and unapproachable as that occupied by the Norse Valkyrie; the Brynhild of Völsunga Saga is something of a virago, the Gudrun is jealous and shrewish.
Wotan's greeting to his new castle is rather grandiose than really fine: one feels the theatrical baritone; one feels also that the quality of homeliness which makes Sachs a great character is sadly lacking. In the Valkyrie this unpretentiousness, so to speak, is always present, and the music gains proportionately in impressiveness.
The first act of "The Valkyrie," for example, will be absurd so long as Sieglinde, Hunding, and Siegmund are made to stand in solemn silence, as beginners who cannot hear the prompter's voice, until Sieglinde has mixed Hunding's draught. And some of the gestures and postures in which the singers are compelled to indulge are as foolish as the foolishest Italian acting.
Once more she had lapsed back to the Vikings and sea-rovers of the tenth century she was Brunhilde again, a shield-maiden, a Valkyrie, a Berserker and the daughter of Berserkers, and like them she fought in a veritable frenzy, seeing nothing, hearing nothing, every sense exalted, every force doubled, insensible to pain, deaf to all reason.
She straightened, sustained by a temporary strength, and stood clothed in a beauty above any which even he had before acknowledged; a beauty fired with the war spirit of a Valkyrie and of eyes regal in their affronted dignity. "If you can feel about me as your words indicate, we could never know happiness.
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