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Updated: June 26, 2025
He requested Beethoven to make notes upon paper regarding the metronomic marks of speed at which the composition should be played. The metronome at that time was a comparatively new instrument. At times they were on the best of terms, and at other times they were literally "at swords' points."
So far as I am myself concerned, I have long purposed giving up those inconsistent terms allegro, andante, adagio, and presto; and Maelzel's metronome furnishes us with the best opportunity of doing so. I here pledge myself no longer to make use of them in any of my new compositions. It is another question whether we can by this means attain the necessary universal use of the metronome.
Lines representing successive signals at various speeds can also be obtained, and, by means of a metronome, dots and dashes can be sent with nearly perfect regularity by an ordinary Morse key, and the corresponding changes in the current at the receiving end of the cable accurately observed.
I also use Mertke to some extent. Every form of exercise must be worked out in all keys; I find the books useful for all kinds of students. I may add that I use comparatively few études. "If the student seems to have a very imperfect rhythmic sense, I use the metronome, but as sparingly as possible, for I want to establish the inner sense of rhythm. "In regard to memorizing.
It drums on the window-panes, chuckles and gurgles at corners of houses, tinkles in spouts, makes mysterious crescendoes and arpeggio chords through the air; and all the while drops from the eaves and upper window-ledges are beating time as rhythmical and measured as that of a metronome, time to which our own souls furnish tune, sweet or sorrowful, inspiriting or saddening, as we will.
The metronome is the same in all editions, 160 to the quarter, but speed should give way to breadth at all hazards. Von Bulow is the only editor, to my knowledge, who makes an enharmonic key change in this working-out section. It looks neater, sounds the same, but is it Chopin?
The subject is instructed to mentally repeat "sleep" as he slowly inhales and "deep sleep" as he slowly exhales in rhythm with the beat of the metronome. While the subject is concentrating on this activity, the voice of the hypnotist induces hypnosis. The third record, called Self-Hypnosis Record No. 3, contains only the voice of the hypnotist inducing hypnosis.
Riemann phrases the study with a multiplicity of legato bows and dynamic accents. Kullak prefers the Tellefsen metronome 80, rather than the traditional 96. Most of the others use 88 to the quarter, except Riemann, who espouses the more rapid gait of 96. Klindworth, with his 88, strikes a fair medium.
The mast in front of the captain's bridge sways regularly and leisurely like a metronome; I try to look away from it, but my eyes will not obey me and, just like my stomach, insist on following moving objects.... The sky and the sea are dark, the shore is not in sight, the deck looks a dark blur ... there is not a single light.
He was the inventor of the metronome and a man of considerable intelligence. He had invented a Panharmonicon, an automaton instrument containing most of the instruments found in full orchestra, on the principle of the modern orchestrion. Allied to his talents as musician and inventor were those of good business ability and a knowledge of human nature.
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