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Updated: May 10, 2025
While she pours forth her agony at the foot of a rustic cross, the faithful Wolfram watches silently hard by. Suddenly the distant chant of the pilgrims is heard. Elisabeth rises from her knees in an agony of suspense. As the pilgrims file past one by one, she eagerly scans their faces, but Tannhäuser is not among them.
"I shall not tell you what nickname they gif me in Oregon," he added, smiling; "but my real name iss Wolfram von Rittenhofen. Berlin, it wass last my home. Tell me, you go soon to Oregon?" "That is very possible," I answered; and this time at least I spoke the truth.
The German Wachtlieder are even more explicit. "He must away at once and without delay," sings the watchman in a poem of Wolfram, the austere singer of Parzifal and the Grail Quest; "let him go, sweet lady; let him away from thy love so that he keep his honour and life.
We are not called upon to admire the logic of Wolfram and the Knights of the Grail, but nothing could be plainer than this: The sufferings of Amfortas having been wofully prolonged by Parzival's failure to ask the healing question, the Knights of the Grail were thereafter required by their oracular guide to prohibit all questioning of themselves under penalty of forfeiture of their puissant help.
There is no question here of poetical license, for Wolfram sings the apostrophe after her retreating figure, and the last chord of his postlude is interrupted by Tannhauser's words, "Ich horte Harfenschlag!"
With the desperate cry: "All hope of Heaven is lost to me, I choose therefore the pleasures of Hell!" Tannhäuser tears himself free from Wolfram. Wolfram seizes him again, calling upon the help of the Almighty, not to be thrown off.
William Morris; which, although written down at the end of the twelfth century, in the very time therefore of Chrestien de Troyes, Wolfram von Eschenbach, and Gottfried von Strassburg, and subsequently to the presumed writing of "The Chanson de Roland" and the Nibelungenlied, shows us in reality the product of a people, the distant Scandinavians of Iceland, who were five or six hundred years behind the French, Germans, and English of the twelfth century.
This Goldkind is a striking type of our modern society, and the novel of that name contains all the elements of a classic novel, although of course in a crude, unfinished state. What an exact reflection of our social circumstances Leo Wolfram gave in that story our present reminiscences will show, in which a lady of that race plays the principal part.
"Heinrich von Ofterdingen, Wolfram von Eschenbach." It included also the University of Jena, which at that time numbered some of the foremost men of Germany among its professors. It was a miniature State and a miniature town; one wonders that Goethe, who would have shone the foremost star in Berlin or Vienna, could content himself with so narrow a field.
In the Welsh tale of Peredur and the French romances the question went only to the meaning of the talismans; but this did not suffice Wolfram von Eschenbach, who in many ways raised the ethical standard of the Grail legend.
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