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Updated: June 5, 2025


The years 1858 to 1861 show her to us in the fullest conservation of her powers and in the heyday of activity. The group of novels belonging to this period, the climax of what may be called her second career, is sufficiently remarkable for a novelist who was almost a sexagenarian, including Elle et Lui, L'Homme de Neige, La Ville Noire, Constance Verrier, Le Marquis de Villemer and Valvèdre.

Night after night he had been living with Valentine, with Consuelo, with Caroline in 'Le Marquis de Villemer. His poetical reading of the winter had prepared the way for what was practically his first introduction to the modern literature of passion. The stimulating novelty and foreignness of it was stirring all his blood.

There, at Laussonne, George Sand spent a day while she was gathering materials for the "Marquis de Villemer"; and I have spoken with an old man, who was then a child running about the inn kitchen, and who still remembers her with a sort of reverence.

Given the same relation of years and of rank, the thing would have been so done on the boards of the Comedie Francaise; just so might Madame Brohan have warmed and condescended to Madame Broisat in the Marquis de Villemer.

Another unalloyed dramatic pleasure, which Fleeming and I shared the year of the Paris Exposition, was the Marquis de Villemer, that blameless play, performed by Madeleine Brohan, Delaunay, Worms, and Broisat an actress, in such parts at least, to whom I have never seen full justice rendered.

There, at Laussonne, George Sand spent a day while she was gathering materials for the Marquis de Villemer; and I have spoken with an old man, who was then a child running about the inn kitchen, and who still remembers her with a sort of reverence.

I am sorry not to have said adieu to you; but as I return soon, I hope that you will not have forgotten me and that you will let me read something of your own also. You were so good and so sympathetic to me at the first performance of Villemer that I no longer admire only your admirable talent, I love you with all my heart. George Sand III. TO GEORGE SAND Paris, 1866

His agreeable father stole about three hundred thousand francs from his children in order to please his cook; happily, although Monsieur used to lead this edifying life, I used to work and did not cut into my capital. I have nothing, but I shall leave the daily bread assured. They write me that Villemer goes well. Little Aurore is as pretty as anything and does a thousand gracious tricks.

I am printing my play, you will get it towards the end of the week. I am jumped on on all sides! le Figaro and le Rappel; it is complete! Those people to whom I lent money or for whom I did favors call me an idiot. I have never had less nerves. I recall the first night of Villemer, which was a triumph, and the first night of Don Juan de Village, which was a failure.

Another unalloyed dramatic pleasure which Fleeming and I shared the year of the Paris Exposition, was the MARQUIS DE VILLEMER, that blameless play, performed by Madeleine Brohan, Delaunay, Worms, and Broisat an actress, in such parts at least, to whom I have never seen full justice rendered.

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