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To all the arts he practised, Verocchio applied limited powers, a meagre manner, and a prosaic mind. Yet few men have exercised at a very critical moment a more decided influence.

Duke Ascanio, in bronze by Verocchio, still looked up with pride from the palace-square at the brick and terra-cotta facade with its fruit-wreathed arches crowned by imperial profiles; but a later prince found the small rooms and intricate passages of Laurana's structure inadequate to the pomp of an ally of Leo X., and Vignola added the state apartments, the sculpture gallery and the libraries.

Verocchio alone produced nothing so truly magnificent. This joint creation of Florentine science and Venetian fervour is one of the most precious monuments of the Renaissance. From it we learn what the men who fought the bloodless battles of the commonwealths, and who aspired to principality, were like.

Verocchio's "David," a lad of some seventeen years, has the lean, veined arms of a stone-hewer or gold-beater. As a faithful portrait of the first Florentine prentice who came to hand, this statue might have merit but for the awkward cuirass and kilt that partly drape the figure. The name of Verocchio is best known to the world through the equestrian statue of Bartolommeo Colleoni.

In one by Cosimo Rossetti she lifts both hands with shocked astonishment as the angel scuddles in; in the lovely one, with blue Alpine peaks and combed-out hair, now given to Verocchio, she raises one hand with a vacant smile, as if she were exclaiming, "Dear me! there's that angel again." The one slight deviation from the fixed type of Annunciation, Angelico's, in a cell at St.

'Dost thou think thou canst make aught of the boy? he asked, spreading out the drawings before Verocchio. The painter's quick eyes examined the work with deep interest. 'Send him to me at once, he said. 'This is indeed marvellous talent.

The beautiful bust of S. Lorenzo over the doorway is, however, the authentic work of Donato himself. Full of eagerness, S. Lorenzo looks up as though to answer some request, and to grant it. The splendid porphyry sarcophagus set in bronze before a bronze screen of great beauty, by Verocchio, is certainly one of the finest things here.

They ruled that the piazza in front of the Scuola di S. Marco, better known as the Campo di S. Zanipolo, might be chosen as the site of Colleoni's statue, and to Andrea Verocchio was given the commission for its erection. Andrea died in 1488 before the model for the horse was finished. The work was completed, and the pedestal was supplied by Alessandro Leopardi.

In 1366 the altar was destroyed, but the parts in bas-relief by Cione were retained and incorporated into the new work, which was finished in 1478. Ghiberti, Orcagna, Verocchio, and Pollajuolo, all executed various details of this magnificent monument. Goldsmiths did not quite change their standing and characteristics until late in the sixteenth century.

Gerald held it long and gazed seriously, with that conceit in his own judgment which made him sometimes dispute the attributions in no less a gallery than the Uffizi say that a Verocchio was not a Verocchio, a Giorgione not a Giorgione. Charlie strained to catch some syllable of what he said. Vainly. The pianist was preluding. Bertie Bentivoglio came to ask the girl in pink to dance with him.