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Updated: June 27, 2025
This was many days back, of course, and since then we had come to know other aspects of the great creature, and across the Bavarian wheat plain of Straubing she wandered so slowly under the blazing June sun that we could well imagine only the surface inches were water, while below there moved, concealed as by a silken mantle, a whole army of Undines, passing silently and unseen down to the sea, and very leisurely too, lest they be discovered.
It is the complete entry of the soul into elemental conditions, and the flaming sword guarding the four quarters of the Earth to the way of life are the four great realms of the astral world; the way to physical life in concrete forms; and the way to life eternal through the realms of the Sylphs, Gnomes, Undines and Salamanders.
It must grasp as its key-note some vast truth, must grapple with some great injustice, must hurl its lances at some wide-spread prejudice, or toy with the tangles of some mighty Nærea's hair. Undines and satyrs, cupids and merry fauns, may spring laughing from under the artist's hand, but it is from the unyielding marble that these slender children of his mirthful hours are carved.
Though the names were not yet given, it was well understood that the air had its sylphs, the earth its gnomes, the fire its salamanders, the water its undines; to the day belonged its apparitions, to the night its fairies.
Those that dwell there below, are noble and lovely to behold, far more so than mankind. Many a fisherman has had a passing glimpse of some fair water-nymph, rising out of the sea with her song; he would then spread the report of her apparition, and these wonderful beings came to be called Undines. And you now see before you, my love, an Undine."
Sir Walter Scott also endowed the White Lady of Avenel with many of the attributes of the undines, or water-sprites. German romance and lyrical poetry teem with allusions to sylphs, gnomes, undines, and salamanders; and the French have not been behind in substituting them, in works of fiction, for the more cumbrous mythology of Greece and Rome.
It seems unnecessary, my little unwise one, to explain to you the peculiar nature and characteristics of the gnomes, the salamanders, sylphides, and undines; you would not be able to understand them.
His talk, far more interesting than the play, turned on rare editions of old books, on the sylphs, gnomes, Undines of the invisible world, on microscopic creatures he had himself discovered, and on vampires he had seen in Illyria. I learned next day that this was the celebrated author and bibliophile, Charles Nodier, himself one of the anonymous authors of the play he so vilified.
In mediæval literature, these earth-spirits are often called gnomes, while the water-spirits are spoken of as ûndinés, the air-spirits as sylphs, and the ether-spirits as salamanders.
They are filled with so many mysterious living things frogs and tadpoles and newts and strange water-insects, nixies and pixies. Undines and Sabrinas fair and water-babies; and such strange plants grow in them; and who can guess the meaning of the tales they tell, in that never-ceasing, purling tongue of theirs? . . . And Signor Ranocchio?
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