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Aeschylus, the grandest of the three tragedians, who has given us under a thin veil the first plantation of Europe. The "Prometheus" is a poem of the like dignity and scope as the book of Job, or the Norse "Edda." 4. Of Plato I hesitate to speak, lest there should be no end.

Sophocles and the other tragedians, Apollonius Rhodius and the Alexandrines are continually imitated, and almost always improved upon. And still more is this the case with his adaptations from Naevius, Ennius, Lucretius, Hostius, Furius, &c. whose works he had thoroughly mastered, and stored in his memory their most striking rhythms or expressions.

and the other glories of the Roman and Attic stage, to see and hear how Shakespeare bore comparison with all that the classic dramatists did, or that "did from their ashes come." Jonson means, "despite your lack of Greek and Latin I would not shrink from challenging the greatest Greek and Roman tragedians to see how you bear comparison with themselves"? Mr.

And, allowing for the variations made with comic intent, it is altogether Greek in spirit so Greek, in fact, that I doubt whether any one who has not given his days and nights to the study of Homer and of the tragedians, and who has not thus taken in by the pores the subtle essence of Hellenic life and literature, can truly appreciate this French farce.

Perfect familiarity with the great Greek tragedians was still the mark of a gentleman, and then Sidonius quoted from Sophocles "Yea," said the Bishop, "such was the universal law given to Noah ere the parting of the nations blood for blood! And yet, where should we be did not Mercy rejoice against Justice, and the Blood of Sprinkling speak better things than the blood of Abel?

On the contrary, it gives me a just indignation to see a person whose action gives new majesty to kings, resolution to heroes, and softness to lovers, thus sinking from the greatness of his behaviour, and degraded into the character of the London Prentice. I have often wished that our tragedians would copy after this great master in action.

He sang through a whole opery, made the pianner jest howl, gave some recitations, Casabianker and Betsy and I are Out; imitated all them tragedians; did tricks with cards and fetched rabbits outer hats, besides liftin' the pianner with two men sittin' on it, jest by his teeth.

It is amusing to see what a hand the two Cockneys make of this mythology; the one confesses that he never read the Greek Tragedians, and the other knows Homer only from Chapman, and both of them write about Apollo, Pan, Nymphs, Muses, and Mysteries, as might be expected from persons of their education.

Nevertheless, the tragedians and Pindar disobeying our behests, although they acknowledge that Asclepius was the son of Apollo, say also that he was bribed into healing a rich man who was at the point of death, and for this reason he was struck by lightning.

From the origin of Tragedy and Comedy, and to the days of Thespis, and from this time to that of Aeschylus, all is doubt, conjecture, and obscurity; neither Aristotle, nor any other ancient writer, gives us the least insight into the state and progress of the Greek Drama; the names of a few, and but a few, tragedians, during this dark period, are handed down to us; such were Epigenes, the Sicyonion, and Pratinas, who wrote fifty-two plays, thirty-two of which are said to be satirical.