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Updated: May 7, 2025
Thence there extended a long, straight passage cut in the solid rock. I am no geologist, but the lining of this corridor was certainly of some harder material than limestone, for there were points where I could actually see the tool-marks which the old miners had left in their excavation, as fresh as if they had been done yesterday.
The interior of the church is very solemn and striking. It has been cleaned, but judiciously, without sand-papering away the tool-marks on the ancient stone. Has the reader never been puzzled to note the difference between old work and new, even when the new is a reproduction of the old? In the new there is an absence of something, but what we cannot tell.
Sunday in France Improved observance The cathedral of Arles West front Interior Tool-marks A sermon on peace The cloisters Old Sacristan and his garden Number of desecrated churches in Arles Notre Dame de la Majeur S. Caesaire The isles near Arles Cordes Montmajeur A gipsy camp The ruins Tower The chapel of S. Croix. I spent the first Sunday after Easter at Arles.
Thence there extended a long, straight passage cut in the solid rock. I am no geologist, but the lining of this corridor was certainly of some harder material than limestone, for there were points where I could actually see the tool-marks which the old miners had left in their excavation, as fresh as if they had been done yesterday.
The message it contained was: "It takes hard chiseling to make a man, but if the material is the right grain the tool-marks won't show. If I had wanted you merely to make money, I would have left the business entirely in the hands of Johnson and Applerod. But there is no use to put off pulling a tooth. It only hurts worse in the end."
The comments upon the tool-marks now visible after the dispersion of the grime are of a rather opposite character, the connoisseur noticing the manner of working over the surface by the old Italians as being different to that pursued now; the assistant sees nought but rough gougings and scratchings as with a notched or blunted tool, and concludes that the old makers were not as good workmen as the moderns.
The measurements should be taken carefully, not only for the sake of the accuracy of the plan, but also for metrological purposes. The rock outside the entrance of the tomb-chamber should be examined. As a rule such structures have been entirely destroyed for the sake of their stones. The tool-marks of the tomb-quarriers should be examined, as they sometimes reveal interesting technical points.
This something is very probably nothing more than the old tool-marks. The ancient workers left on the stone the tale of every stroke they dealt, and to ages on ages these marks tell us: here was a strong arm employed, here was dealt a vigorous blow; here Symon the hewer was tickled with a comical story that mason Peter told and he laughed, and the blow he dealt ran jagged with his laughter.
McWhorter conjectured might be an inscription, and said in a letter, "though I saw no recent tool-marks, I saw evidences of design in the form and arrangement of the markings, which suggested the idea of an inscription." The italics are as in the original. But this mild statement did not daunt Mr. McWhorter. Having calmly pronounced Dr.
He examined the statue and said, "It is of very recent origin, and a most decided humbug.... Very short exposure of the statue would suffice to obliterate all trace of tool-marks, and also to roughen the polished surfaces, but these are still quite perfect, and hence the giant must have been very recently buried.... I am surprised that any scientific observers should not have at once detected the unmistakable evidence against its antiquity."
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