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Updated: June 7, 2025
Now Tanaquil could not endure that any should be preferred before him, wherefore when the people of Tarquinii despised Lucumo, because he was the son of a stranger, Tanaquil could not endure it, and caring not for her country, if only she could see her husband held in honour, purposed to depart thence and dwell elsewhere.
There is not a single one of the aspects of Italian art which has not found its definite model in the art of ancient Greece; and, so far, the legend is fully warranted which traces the manufacture of painted clay figures, beyond doubt the most ancient form of art in Italy, to the three Greek artists, the "moulder," "fitter," and "draughtsman," Eucheir, Diopos, and Eugrammos, although it is more than doubtful whether this art came directly from Corinth or came directly to Tarquinii.
The greater share of their anxiety afterwards inclined to the Etrurian war; after it was ascertained, from a letter of the consul Sulpicius, to whom the province of Tarquinii had fallen, that the land around the Roman Salinæ had been depopulated, and that part of the plunder had been carried away into the country of the people of Cære, and that the young men of that people were certainly among the depredators.
Or did Plato's happiness exceed that of Xenocrates, or Polemo, or Arcesilas? Or is that city to be valued much that banishes all her good and wise men? Demaratus, the father of our King Tarquin, not being able to bear the tyrant Cypselus, fled from Corinth to Tarquinii, settled there, and had children. Was it, then, an unwise act in him to prefer the liberty of banishment to slavery at home?
In the year 504 B.C. a citizen of Regillum, of much wealth and importance, finding himself at odds with his fellow-citizens, left that city and proceeded to Rome, with a long train of followers, much as the elder Tarquin had come from Tarquinii. His name was Atta Clausus, but in Rome he became known as Appius Claudius.
There is not a single one of the aspects of Italian art which has not found its definite model in the art of ancient Greece; and, so far, the legend is fully warranted which traces the manufacture of painted clay figures, beyond doubt the most ancient form of art in Italy, to the three Greek artists, the "moulder," "fitter," and "draughtsman," Eucheir, Diopos, and Eugrammos, although it is more than doubtful whether this art came directly from Corinth or came directly to Tarquinii.
Fulvius wrote to the senate, requesting the favour in terms calculated to excite compassion, in order to save the life of his brother; but the fathers replied, that the interest of the state would not admit of his leaving Capua. Cneius Fulvius, therefore, before the day appointed for the comitia arrived, went into exile to Tarquinii, and the commons resolved that it was a legal exile.
He had inherited the love of authority that had possessed his father's ancestors, and as his father had migrated from home to gain peace, he felt no reluctance in leaving Tarquinii in the hope of gaining the power he thought his wealth and pedigree entitled him to.
The Tarquinii order the matter to be kept secret with the utmost care, that Sextus, who had been left behind at Rome, might be ignorant of the response, and have no share in the kingdom; they cast lots among themselves, as to which of them should first kiss his mother, after they had returned to Rome.
In the sepulchral chambers of the Necropolis of Tarquinii, which extends for many miles, there are several scenes painted in the archaic style by the Etruscans, representing the Chase, the Circus, and Dancing Girls. Soon after its innovation among the Romans, Pantomime spread all over Italy and the provinces.
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