Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: April 30, 2025
Action only becomes imitative at a somewhat later stage. The first purposive movements of the child's limbs are carried out in order to evoke tactile sensations. He delights to stimulate and develop the sense of touch. At first he has no knowledge of distance, and his reach exceeds his grasp. He will strain to touch and hold distant objects.
Her tactile curiosity was insatiable, she trailed her sensitive hands over every strange surface that offered. Then, with her airy skirt momentarily caught on a spear of bearded grass, he saw, below her knee, under the white stocking, the impression of a blade, narrow and wicked.
Gradually he learns the limitations of space, and will pick up and hold an object in his hand with precision. Often he conveys everything to his mouth, not because his teeth are worrying him, or because he is hungry, as we hear sometimes alleged, but because his mouth, lips, and tongue are more sensitive, because more plentifully furnished with the nerves of tactile sensation.
For him the entire picture, Venus Rising From the Sea, presents us with the quintessence of all that is pleasurable to our imagination of touch and movement... The vivid appeal to our tactile sense, the life communicating movement, is always there.
But our conception of this is derived from the sense of resistance to our own effort, or active force, which we meet with in association with sundry tactile or visual phenomena; and, undoubtedly, active force is inconceivable except as a state of consciousness.
Happily he was not so; he was only susceptible in respect of his right to water-power; moreover, he had the marital habit of not listening very closely, and since his mention of Mr. Riley, had been apparently occupied in a tactile examination of his woollen stockings. "I think I've hit it, Bessy," was his first remark after a short silence.
When we call up a visual image of a chair, we do not attempt to sit in it, because we know that, like Macbeth's dagger, it is not "sensible to feeling as to sight" i.e. it does not have the correlations with tactile sensations which it would have if it were a visual sensation and not merely a visual image.
The different sensations, auditory, visual, olfactory, tactile, motor, and organic have common qualities, which they share with other more complex experiences; of form, as force or feebleness; of feeling, as harshness, sweetness, and so on. It is, indeed, another case of the form-qualities to which we recurred so often in the chapter on music.
A doctor, for example, may be perfectly informed as to the symptoms of a disease, and may know exactly how cardiac sounds and the resistance of the pulse are affected in diseases of the heart; but if his ear cannot perceive the sounds, if his hand cannot appreciate the tactile sensations which give the pulse, of what use is his science to him?
We are confronted by the paradox of an artist as torrential, as apocalyptic as Rubens and Wagner, carving with a style wholly charming a segment of a baby's back so that you exclaim, "Donatello come to life!" His slow, defective vision, then, may have been his salvation; he seems to rely as much on his delicate tactile sense as on his eyes. His fingers are as sensitive as a violinist's.
Word Of The Day
Others Looking