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One would also like to send to the scrap-heap the enormous seventeenth-century figures of the Apostles on their consoles on the piers, which form so bad a disfigurement in the nave. The treasure of the church is the great "Crucifixion" by Van Dyck, which is hung in the south transept, but generally kept covered. To see other stately pictures you must go to the church of St.

The germ of Rousseau's ideas can be traced back to Fenelon and other seventeenth-century thinkers, weary of the pomp and periwigs around them. Rousseau himself did but fulfil the aspiration of a whole society for something simpler, juster, more true to nature, more logical.

Mary-le-Bow was built by Sir Christopher Wren, the great seventeenth-century architect, who built St. Paul's and several other of the most beautiful London churches after they had been destroyed by the Great Fire of 1666. But underneath the present Church of St. Mary-le-Bow is the crypt, which was not destroyed in the fire.

Then is my soul homeless? Or is it to be identified with the activity and fortunes of a single atomic constituent of my body, a single cog in the animal clockwork? If so, how irrational! For the soul does not experience itself as the soul of one minute part, but as the soul of the body. Such questions rose thick and fast in the minds of the seventeenth-century philosophers.

"It is real," said Vieyra. "You are the first to see it. I wished to observe how " "It's an unknown Vermeer!" The doctor brought his big white hand down loudly on this discovery. "Nobody but Vermeer could have done the plaster wall in the sunlight. And the girl's strange gray head-dress must be seventeenth-century Dutch of some province I don't "

A careful scholar, M. Ernest Jouy, was led by a passage in a seventeenth-century MS. to make investigations which seem to have proved that La Rochefoucauld was acquainted with an English book of edification and even that he deigned to make use of it in the fashioning of his famous "Maximes."

The south wall, in which are three small windows, has been unfortunately disfigured by a baroque seventeenth-century altar, whose projections hide a part of the frescoes. Opposite is the entrance, a magnificently-proportioned portal, with a rounded arch, most delicately decorated in colour.

The seventeenth-century traders went there for pepper, because the passion for pepper seemed to burn like a flame of love in the breast of Dutch and English adventurers about the time of James the First. Where wouldn't they go for pepper!

In general this thirteenth-century church is in the best style of its era; but the west front presents an incongruous seventeenth-century addition in the whilom classical style of that day, bad as to its art, and apparently badly welded into conjunction with the older portion.

He wishes exceedingly to help the unfortunate to live happily, easily and profitably, and he regards almost the whole human race as more or less unhappy. His desire, therefore, is not, as that of the seventeenth-century moralists had been, to put human egotism in the pillory and to pelt it with rotten eggs, but so far as possible to encourage and affirm a decent, self-respecting egotism.