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Updated: June 9, 2025
She read the enclosed note, however, before she looked at it. "I am going to America and then to Russia. Do not quite forget me. If ever you need anything write to my brother, Hilaire Avenel, Villa Fiorelli, Settignano, near Florence, and he will serve you for my sake as he would for your own if he knew you. I think I have played better since I have known you, my rose.
We might go up by Fiesole and back by Settignano. There is a point on that road where we could get down and have an hour's ramble on the hillside. The view thence of Florence is most beautiful far better than the hackneyed view of Fiesole. It is the view that Alessio Baldovinetti is fond of introducing into his pictures. That man had a decided feeling for landscape. Decidedly.
And when Helena first arrived at Beechmark, it had hurt him to realize how bitterly she remembered such things, how grossly she had exaggerated them. The change indicated in her present manner, soothed his tired, nervous mood. His smile answered her. "Yes, I was there with you two or three days. Do you remember the wild tulips we gathered at Settignano?"
Here also is an adorable Madonna and laughing Child, beyond anything in Florence for sheer gaiety if not mischief, which the South Kensington authorities call a Rossellino but Herr Bode a Desiderio da Settignano. The room is rich too in Donatello and in Verrocchio, and altogether it makes a perfect footnote to the Bargello.
Arabesques and masks and foliated patterns adorn the flat slabs. The recess of each niche is arched with a concave shell. The terminal busts are boldly modelled, and impose upon the eye. The whole is rich in detail, and, though somewhat arid in fanciful invention, it carries us back to the tradition of Florentine work by Mino da Fiesole and Desiderio da Settignano.
At the age of forty he settled down on the small paternal farm at Settignano, and became a mere peasant, very much to the annoyance and chagrin of his famous brother, Michael Angelo, who spent his earnings for the advantage of his brothers, and the advancement of his family, with a kindness and generosity as beautiful as it is rare.
No single specimen possessed a high market value. It was, in fact, only when art began to expire in Italy, when Vasari published his extensive necrology and formed his famous collection of drawings, that property in a sketch became a topic for moral casuistry. Of Michelangelo's own work at this early period we possess probably nothing except a rough scrawl on the plaster of a wall at Settignano.
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