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Amalia Anna, Duchess of Saxe-Weimar, composed the incidental music for Goethe's melodrama, "Erwin and Elmira," and won flattering notices, though part of their praise may have been due to her rank. Maria Charlotte Amalie, Duchess of Saxe-Gotha, published several songs, and wrote a symphony for an orchestra of ten instruments.

Prince Edward of Saxe-Weimar was meant to dance with the young Marchioness of Douro, but she by some strange chance came too late for the honour, and her place was supplied by another young matron and beauty, Lady Jocelyn, formerly Lady Fanny Cowper. Prince Leiningen, who wore a white suit faced with blue and a buff waistcoat edged with silver lace, danced with Lady Mount-Edgcumbe.

She entered Dresden with him, May 16, 1812, at eleven in the evening, escorted by the King and Queen of Saxony, who had gone to Freiberg to meet them. The next morning at eight, Napoleon, who was staying in the grand apartment of the royal castle, received the sovereign princes of Saxe-Coburg, Saxe-Weimar, and Dessau, as well as the high officials of the Saxon court.

The popularity of "Werther" was such that it was read by people of all ranks. Among the rest, the young Duke of Saxe-Weimar, Karl August, then only nineteen years old, conceived a great admiration for Goethe, and in 1774, on a visit to Frankfort, with his bride, he invited the young author to his little court at Weimar.

Through the pale night they could see that the architecture was of the classic sentiment which they were destined to feel more and more; at one point they caught a fleeting glimpse of two figures with clasped hands and half embraced, which they knew for the statues of Goethe and Schiller; and when they mounted to their rooms at the Grand-Duke of Saxe-Weimar, they passed under a fresco representing Goethe and four other world-famous poets, Shakspere, Milton, Tasso, and Schiller.

The Duke of Cambridge and his son, Prince George, with Prince Edward of Saxe-Weimar, were among the company. The infant was named "Victoria Adelaide Mary Louisa." The Annual Register for the year has an elaborate description of the new silver-gilt font used on the occasion. It was in the shape of a water-lily supporting a shell, the rim of which was decorated with smaller water-lilies.

Through the pale night they could see that the architecture was of the classic sentiment which they were destined to feel more and more; at one point they caught a fleeting glimpse of two figures with clasped hands and half embraced, which they knew for the statues of Goethe and Schiller; and when they mounted to their rooms at the Grand-Duke of Saxe-Weimar, they passed under a fresco representing Goethe and four other world-famous poets, Shakspere, Milton, Tasso, and Schiller.

Once across, they burrowed in the ground like moles and, with bullets raining upon them, threw up earthworks for shelter. Squad after squad of volunteers followed. Duke Bernhard of Saxe-Weimar swam his horsemen across the river farther up-stream and took the Bavarian troops in the flank, beating them back far enough to let him join the Finns at the landing.

Last evening I heard the soldiers boasting that today they would capture the Duke of Saxe-Weimar, and I determined to foil them. They have been feasting and drinking all night, and it is but now that the troopers have fallen into a drunken slumber and I was able to possess myself of the key of your dungeon. "Here is your helmet.

"My lord," replied Captain Dalgetty, "I am no renegade, though a Major of Irishes, for which I might refer your lordship to the invincible Gustavus Adolphus the Lion of the North, to Bannier, to Oxenstiern, to the warlike Duke of Saxe-Weimar, Tilly, Wallenstein, Piccolomini, and other great captains, both dead and living; and touching the noble Earl of Montrose, I pray your lordship to peruse these my full powers for treating with you in the name of that right honourable commander."