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Left alone with the Nurse Phaedra is terror-stricken lest her husband Theseus should hear of her disgrace. She casts the Nurse off, adding that she has a remedy of her own. Her last speech is ominous. "This day will I be ruined by a bitter love. Yet in death I will be a bane to another, that he may know not to be proud in my woes; sharing with me in this weakness he will learn wisdom."
Phaedra saw in Hippolytus, the son of Theseus, a youth endowed with all the graces and virtues of his father, and of an age corresponding to her own. She loved him, but he repulsed her advances, and her love was changed to hate. She used her influence over her infatuated husband to cause him to be jealous of his son, and he imprecated the vengeance of Neptune upon him.
There, amidst the rushes, wandered the souls of those children whose eyes had but opened and shut to the kindly light of day, and there in a gloomy cavern Minos judges men. I penetrated into the myrtle wood in which the victims of love wander languishing, Phaedra, Procris, the sad Eriphyle, Evadne, Pasiphae, Laodamia, and Cenis, and the Phoenician Dido.
For even he himself is wont to apply pleasant reasonings and plausible arguments to those manners and actions which are wicked or unbecoming. And in another of his fellow-tragedians, we may see even Phaedra herself represented as justifying her unlawful affection for Hippolytus by accusing Theseus of ill-carriage towards her.
A secret malady under which Phaedra pines has so far baffled the Nurse who now learns that she loves her stepson. She had striven in vain against this passion, only to find like Olivia that Such a potent fault it is That it but mocks reproof. She decided to die rather than disgrace herself and her city Athens.
For the account which the author of the poem called the Theseid gives of this rising of the Amazons, how Antiope, to revenge herself upon Theseus for refusing her and marrying Phaedra, came down upon the city with her train of Amazons, whom Hercules slew, is manifestly nothing else but fable and invention.
He beat out the gold into wreaths for the conqueror's helmet, or into palmates for the Tyrian robe, or into masks for the royal dead. On the back of the silver mirror he graved Thetis borne by her Nereids, or love-sick Phaedra with her nurse, or Persephone, weary of memory, putting poppies in her hair.
If you leave us alone, you will have whole heads, and a guinea between you. Now, what say you?" Well spoke Phaedra against the dangers of eloquence. The watchmen looked at each other. "Why really, sir," said one, "what you say alters the case very much; and if Dick here is not much hurt, I don't know what we may say to the offer."
As Dido dwells on the broad chest and shoulders of Aeneas, so Phaedra dwells on the healthy glow of Hippolytus's cheek, his massive neck, his sinewy arms. The Roman ladies who bestowed their caresses on gladiators and slaves are here speaking through their courtly mouthpiece. The gross, the animal it is scarcely even sensuous predominates all through these tragedies.
If Racine actually said, that the only difference between his Phaedra and that of Pradon was, that he knew how to write, he did himself the most crying injustice, and must have allowed himself to be blinded by the miserable doctrine of his friend Boileau, which made the essence of poetry to consist in diction and versification, instead of the display of imagination and fancy.
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