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Updated: July 17, 2025
On the right is the Aile Neuf, built by Louis XV, for the housing of his officers, on the site of the Galerie de Ulysse, originally one of the most notable features of the palace of François I. Opposite is the sober alignment of the Aile des Ministres, and still farther to the rear are the Pavillon des Aumoniers, or de l'Horloge; the Chapelle de la Trinité; the Pavillon des Armes; the Pavillon des Peintres; the Pavillon des Poëls; the Galerie des Fresques; and, finally, the Pavillon des Reines-Meres.
New biographical details concerning Jean Antoine Watteau (1684-1721) may never be forthcoming, though theories of his enigmatic personality and fascinating art will always find exponents. Our knowledge of Watteau is confined to a few authorities: the notes in D'Argenville's Abrégé de la Vie des Plus Fameux Peintres; Catalogue Raisonné, by Gersaint; Julienne's introduction to the Life of Watteau by Count de Caylus discovered by the Goncourts and published in their brilliant study of eighteenth-century art. Since then have appeared monographs, études, and articles by Cellier, Mollet, Hanover, Dohme, Müntz, Séailles, Claude Phillips, Charles Blanc, Virgile Joez, F. Staley, Téodor de Wyzewa, and Camille Mauclair. Mauclair is the latest and one of the most interesting commentators, his principal contribution being De Watteau
Member of the Société des Artistes Français, of the Union des Femmes Peintres et Sculpteurs, and of the Association de Baron Taylor. Born at Paris, 1870. Pupil of Ferdinand Humbert and G. C. Saintpierre.
Pour moi je prefere les poetes qui font des vers, les medecins qui sachent guerir, les peintres qui sanchent peindre. Nor, in looking at a work of art, should we be dreaming of what it symbolises, but rather loving it for what it is. Indeed, the transcendental spirit is alien to the spirit of art.
<b>DEMONT-BRETON, VIRGINIE.</b> Paris Salon, honorable mention, 1880; medals of third and second class, 1881, 1883; Hors Concours; gold medal at Universal Exposition, Amsterdam, 1883; Paris Expositions, 1889 and 1900, gold medals; medal of honor at Exposition at Antwerp; Chevalier of the Legion of Honor and of the Belgian Order of Leopold; officer of the Nichan Iftikhar, a Turkish order which may be translated "A Sign of Glory"; member and honorary president of the Union des femmes peintres et sculpteurs de France, of the Alliance Feminine, of the Alliance Septentrionale; fellow of the Royal Academy, Antwerp; member of the Société des Artistes Français; member of the committee of the Central Union of Decorative Arts and of the American National Institute; member of the Verein der Schriftstellerinnen und Künstlerinnen of Vienna; one of the founders of the Société Populaire des Beaux-Arts and of the Société de bienfaisance l'Allaitement Maternel, etc.
<b>MATTON, IDA.</b> Two grand prizes and a purse, also a travelling purse from the Government of Sweden; honorable mention at the Paris Salon, 1896; honorable mention, Paris Exposition, 1900; prize for sculpture at the Union des femmes peintres et sculpteurs, 1903. Decorated with the "palmes académique" of President Loubet, 1903. Member of the Union des femmes peintres et sculpteurs, Paris.
Member of Water-Color Club, Baltimore; Charcoal Club, Baltimore; L'Union des Femmes Peintres et Sculpteurs de France. Born at Williamsport, Pennsylvania. Pupil of Pennsylvania Academy a few months; in Paris, of Bouguereau, Robert-Fleury, and Jules Lefebvre.
You were one of the peintres de temperament, and it was they especially who must learn their grammar, and learn it from the classics; and the other man, the old bear who never speaks to anybody, nodded and looked at the sketch again, and said it was "amusing not bad at all," and you might make something of it for the next Salon. Cunning David!
Together they stepped into the roadway, where the frosty surface was scarred by the soldiers' feet, and together they reached the doorway of the large building and read the legend, "Soctiété Peintres et Sculpteurs Français." The Irishman read the words with the faintly humorous, faintly sceptical glance that he seemed to bestow upon the world at large.
Born in Sweden, she studied in the School of Fine Arts in Stockholm. There she gained a prize which entitled her to study abroad during four years. She has exhibited her works in Paris, and to the Salon of Les Femmes Peintres et Sculpteurs, in February, 1903, she contributed a bust of Strindberg which was a delightful example of life-like portraiture.
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