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Updated: May 22, 2025
"Music within" is a frequent stage direction in the later Elizabethan plays, and if one remembers the dramatic effectiveness of the Easter music, off-stage, in Goethe's Faust, or the horn in Hernani, one can understand how Wagner came to believe that a blending of music with poetry and action, as exhibited in his "music-dramas," was demanded by the ideal requirements of dramatic art.
I come of a family who have been actors for generations. Acting is like breathing to me. But, of course, it is another art to 'register' emotion in the face, and very different from displaying one's feelings by action and audible expression. You know, one of our most popular present-day stage actresses got her start by an ability to scream off-stage. Nothing like that in the movies."
"Little Egypt," tiny, graceful, sensually pretty, performed a "danse du ventre," at the conclusion of a long program of crude and often ribald "turns." When "off-stage" the performers, mostly girls, drank with the audience in a tier of curtained boxes which lined the sides of the auditorium. At intervals the curtains parted for a moment and faces peered down.
Mature in virtuosity the modern virtuosity which goes so far beyond the mere technical mastery that once made the term a reproach though young in years, Jascha Heifetz, when one makes his acquaintance "off-stage," seems singularly modest about the great gifts which have brought him international fame.
After a few minutes the second act was done, in which it appeared that Mr. Merriam the detective had fallen madly in love with Lady Angela. In the midst of the scene the little maid was heard purring loudly off-stage, a purring which was explained by both lovers as the purring of the lost Persian. Mr. Grimes guessed "Purr" loudly at the close, and the final syllable, in which Mr.
He knew that the circles which had soothed his artistic snobbery with an admiration as grateful as soft fingers on a cat's back held no letters patent on charm or cultivation and yet his own mind had catalogued women of the stage, off-stage, under a general heading, in some way associated with cabaret places and false gaiety.
It is all very well to excite pity and terror, as Aristotle recommends, but there are limits. In the ancient Greek tragedies it was an ironclad rule that all the real rough stuff should take place off-stage, and I shall follow this admirable principle. It will suffice if I say merely that J. Cuthbert Banks had a thin time.
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