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Updated: May 8, 2025


Schaus, the connoisseur and picture dealer of New York. He paid $250 for it, and at once put it into the hands of the Spanish consul, who restored it to the cathedral. The story of the saint whom Murillo painted is as interesting as Murillo's own.

Through a peculiar happening, the American Indian saw the beauties of Murillo's work before Europe was even conscious there was such a man. In his old home, his uncle's studio, Murillo had had a dear comrade, Moya.

I continue to go to the picture-galleries. I have an idea that the face of Murillo's St. John has a certain mischievous intelligence in it. This has impressed me almost from the first. It is a boy's face, very beautiful and very pleasant too, but with an expression that one might fairly suspect to be roguish if seen in the face of a living boy.

The painted windows of the Abbey, though mostly modern, are exceedingly rich and beautiful; and I do think that human art has invented no other such magnificent method of adornment as this. Our final visit to-day was to the National Gallery, where I came to the conclusion that Murillo's St.

The wind had no power to arouse her, though it shook the old house in all its gables. The thunder rolled through her dreams, like the reverberating strains of a celestial harp, and when the lightning flamed through her room, it only kindled the volume of lace over her head into a cloud of golden tissue, under which she slept like a cherub in one of Murillo's pictures. Thus Lina spent the night.

It is time that the grotesque should be content with a corner of the picture in Murillo's loyal frescoes, in the sacred pages of Veronese, content to be introduced in two marvellous Last Judgments, in which art will take a just pride, in the scene of fascination and horror with which Michelangelo will embellish the Vatican, in those awe-inspiring represervations of the fall of man which Rubens will throw upon the arches of the Cathedral of Antwerp.

One of the stranger's hands shot over Murillo's shoulder and grasped the revolver, turning the muzzle toward the roof of the car. "A popgun like that is a whole lot dangerous for fools to play with," observed this person who had interrupted. "You ought to be turned over some one's knee and spanked a-plenty. That's whatever!"

Among Murillo's most famous paintings are: "The Birth of the Virgin," "Two Beggar Boys," "The Madonna of the Rosary," "The Annunciation," "Adoration of the Shepherds," "Holy Family," "Education of Mary," "The Dice Players," and "The Vision of St. Anthony."

Monet has made two interesting pictures of churches, one at Vernon, the other at Varangeville. The story of Murillo has been delightfully told by Mrs. Sarah Bolton. Like Velasquez, he was born in Seville, a city called "the glory of the Spanish realms," and was baptised on New Year's day, 1618, in the Church of the Magdalen. Murillo's father paid his rent in work, instead of in money.

At the present time we are readier to estimate Murillo's justly high place in the annals of painting by such a picture as his own portrait, lent by Lord Spencer to the recent Exhibition, than to allow it on the strength of our recollection of the Madonnas and Holy Families, Immaculate Conceptions and Assumptions, of which there exist so many copies in the dining rooms of country rectories.

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