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Updated: June 6, 2025
In the pages of Victor Vitensis, which tell the sad story of the persecution of the African Catholics by the Arian Vandals, you will find many a moving tale which shews that God had his own, even among those degraded Carthaginians. The causes of the Arian hatred to the Catholics is very obscure. You will find all that is known in Dean Milman's History of Latin Christianity.
She stipulated that she should have her opportunity first, and "alone." If successful, she was willing to appear in support of Forrest. So it was agreed. Her first appearance upon the English stage was made on February 14, 1845; she assumed the character of Bianca, in Dean Milman's rather dull tragedy of "Fazio." Her triumph was indisputable.
Church's Life of Saint Anselm; Neander's Church History; Milman's History of the Latin Church; Stockl's History of the Philosophy of the Middle Ages; Ueberweg's History of Philosophy; Wordsworth's Ecclesiastical Biography; Trench's Mediaeval Church History; Digby's Ages of Faith; Fleury's Ecclesiastical History; Dupin's Ecclesiastical History; Biographie Universelle; M. Rousselot's Histoire de la Philosophic du Moyen Age; Newman's Mission of the Benedictine Order; Dugdale's Monasticon; Hallam's Literature of Europe; Hampden's article on the Scholastic Philosophy, in Encyclopaedia Metropolitana.
The following allusion to Perseus is from Milman's Samor: "As 'mid the fabled Libyan bridal stood Perseus in stern tranquillity of wrath, Half stood, half floated on his ankle-plumes Out-swelling, while the bright face on his shield Looked into stone the raging fray; so rose, But with no magic arms, wearing alone Th' appalling and control of his firm look, The Briton Samor; at his rising awe Went abroad, and the riotous hall was mute."
In Milman's last years the Oxford movement had begun to assume its ritualistic form, and questions of vestments and ceremonies and candles came to the forefront. With all this Milman had no sympathy. 'After the drama, he said of it, 'the melodrama!
A parallel between the Rev. Mr. Milman and Lord Byron. I have not succeeded in finding this parallel. The Quarterly Review for July 1818 contains a critique of Milman's poem, Samor, Lord of the Bright City; and the number for May 1820, a critique of Milman's Fall of Jerusalem. Neither of these notices draws any parallel such as Shelley speaks of. What gnat did they strain at here.
The following allusion to Perseus is from Milman's "Samor": "As'mid the fabled Libyan bridal stood Perseus in stern tranquillity of wrath, Half stood, half floated on his ankle-plumes Out-swelling, while the bright face on his shield Looked into stone the raging fray; so rose, But with no magic arms, wearing alone Th' appalling and control of his firm look, The Briton Samor; at his rising awe Went abroad, and the riotous hall was mute."
I shall see the sea, that's one comfort, and it will be something to live upon for some time to come. Next Wednesday week I am to come out in Bianca, in Milman's "Fazio." Do you know the play? It is very powerful, and my part is a very powerful one indeed. I have hopes it may succeed greatly. Mr.
Patrick's Purgatory; Dante et la Philosophie Catholique du Treizième Siècle, par Ozinan; Labitte, La Divine Comédie avant Dante; Balbo's Life and Times of Dante; Hallam's Middle Ages; Napier's Florentine History; Villani; Leigh Hunt's Stories from the Italian Poets; Botta's Life of Dante; J. R. Lowell's article on Dante in American Cyclopaedia; Milman's Latin Christianity; Carlyle's Heroes and Hero-worship; Macaulay's Essays; The Divina Commedia from the German of Schelling; Voltaire's Dictionnaire Philosophique; La Divine Comédie, by Lamennais; Dante, by Labitte.
One of Sir Walter's, or Mr. Southey's, or Mr. Milman's or Mr. Disraeli's? or shall I sprawl a Byron?" "I really cannot sanction such unprincipled conduct. You may make me one of Sir Walter's, however." "Poor Washington!" said Vivian, writing. "I knew him well. Be always slept at dinner. One day, as he was dining at: Mr.
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