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Updated: June 3, 2025


More animated, the face was all movement, the eyes talked; the esprit passed to the face. It was the type of Marivaux' comedies, with an esprit mobile, animated and colored by all the coquetries of grace.

"I saw assembled there Montesquieu, Fontenelle, Mairan, Marivaux, the young Helvetius, Astruc, and others, all men of science or letters, and, in the midst of them, a woman of brilliant intellect and profound judgment, who, with her kind and simple exterior, had rather the appearance of the housekeeper than the mistress.

The witty Cowley despised the natural Chaucer; the austere classical Boileau the rough sublimity of Créibillon; the refining Marivaux the familiar Molière. Fielding ridiculed Richardson, whose manner so strongly contrasted with his own; and Richardson contemned Fielding, and declared he would not last.

Silvia was the adoration of France, and her talent was the real support of all the comedies which the greatest authors wrote for her, especially of, the plays of Marivaux, for without her his comedies would never have gone to posterity.

To this faculty of intelligent appreciation was joined another still more captivating. She was a good listener. "Bien écouter c'est presque répondre," quotes Jean Paul from Marivaux, and Sainte-Beuve said of Madame Récamier that she listened "avec séduction." She was also an extremely indulgent and charitable person, and was severe neither on the faults nor on the foibles of others.

His students, his grisettes, and his young artists were all on their good behavior, but were not more droll. Marivaux had come down one more flight of stairs. Alfred de Musset had steeped the powder and the patches in a glass of Champagne wine. Henry Murger soaked them in a bottle of brandy or in a flagon of beer.

The Theatre of the Comic Opera is situated in the rue Marivaux, Boulevard des Italiens, and the façade with its noble columns has a very fine effect, which is fully equalled by the decorations of the interior.

As none of them possess all the requisites for their several casts of parts, they take care to play no other than pieces of an equivocal kind, in which neither bon ton, nor vis comica is to be found. They avoid, above all, those of MOLIERE and REGNARD, and are extremely fond of the comedies of MARIVAUX, in which masters and lackies express themselves and act much alike.

Monsieur de Marivaux, and some other French writers, have also proceeded much upon the same plan with a spirit and elegance which give their works no mean rank among the belles lettres. I will own that, when there is wit and entertainment enough in a book to make it sell, it is not the worse for good morals. Charon.

Sir John thinks we should read Confucius, the Hindoo religious poetry, some Persian poetry, Thucydides, Tacitus, Cicero, Homer, Virgil, a little a very little Voltaire, Molière, Sheridan, Locke, Berkeley, George Lewes, Hume, Shakspere, Bunyan, Spenser, Pope, Fielding, Macaulay, Marivaux Alas, is there any need to pursue the catalogue to the bitter end?

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