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Updated: May 5, 2025


"Then there was the Disappearing Egg," he remarked, and produced one from within my coat-breast and packed it, and also The Crying Baby, Very Human. I handed each parcel to Gip as it was ready, and he clasped them to his chest. He said very little, but his eyes were eloquent; the clutch of his arms was eloquent. He was the playground of unspeakable emotions. These, you know, were REAL Magics.

"You mean the Mouldiestwarp?" said the Mouldier, as I will now call him for short; "you will not see him till the end of the magic. He is very great. I work the magic of space, my brother here works the magic of time, and the Great Mouldiestwarp controls us, and many things beside. You must only call on him when you wish to end our magics and to work a magic greater than ours."

"I expect it doesn't last long, the ring magics don't anyway, it's the only thing I can think of." "He's frightfully rich," Jimmy went on unheeding amid the cracking of the bushes; "he's building a public library for the people where he lives, and having his portrait painted to put in it. He thinks they'll like that."

And the Medical and Pharmaceutical Department, in its night-garb, and illuminated by a single jet at either end of it, seemed to take on a kind of ghostly and scented elegance; it seemed to be a lunar palace of bizarre perfumes and crystal magics. The two young men halted, and listened, and they could catch the distant footfall of the patrols echoing in some far-off corridor. That reassured them.

He had a tender heart for the whole generation of empirics, as well as the newer sorts of scientitians, but he seemed to base his faith in them largely upon the failure of the regulars rather than upon their own successes, which also he believed in. He was recurrently, but not insistently, desirous that you should try their strange magics when you were going to try the familiar medicines.

She was Phèdre or Marguerite Gautier, she was Adrienne Lecouvreur, Fédora, La Tosca, the actual woman, and she was also that other actual woman, Sarah Bernhardt. Two magics met and united, in the artist and the woman, each alone of its kind.

Wuthering Heights rose above this silvery vapour; but our old house was invisible; it rather dips down on the other side." In six lines she can paint sound, and distance, and scenery, and the turn of the seasons, and the two magics of two atmospheres. "Gimmerton chapel bells were still ringing; and the full, mellow flow of the beck in the valley came soothingly on the ear.

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