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The significance of this event must be observed because the Messianic doctrine was an old and established one in Zoroastrianism." The same article says of the Magi: "... they believed in a resurrection, a future life, and the advent of a savior."

Mazdaznan And here is another and even more startling revelation from Chicago, given to a seer by the name of Dr. Otoman Prince of Adusht Ha'nish, prophet of the Sun God, Prince of Peace, Manthra Magi of Temple El Katman, Kalantar of Zoroastrian Breathing and Envoy of Mazdaznan living, Viceroy-Elect and International Head of Master-Thot.

'Yet it reigned in Persia with the magi, it endowed India with wonderful traditions, it civilised Greece to the sounds of Orpheus's lyre. He stood before Margaret, towering over her in his huge bulk; and there was a singular fascination in his gaze. It seemed that he spoke only to conceal from her that he was putting forth now all the power that was in him.

Just in proportion as an event is from a historical point of view suspicious, it is significant as a proof of the use of the Gospel in which it is contained; such would be the adoration of the Magi, the slaughter of the innocents, the flight into Egypt, the conjunction of the foal with the ass in the entry into Jerusalem.

Here they were resisted by a few eunuchs, headed by Boges, but these were overpowered and killed to a man. Darius became furious on seeing Boges, and killed him at once. Hearing the dying cries of these eunuchs, the Magi rushed to the spot and prepared to defend themselves.

The first counsel of the Magi was agreeable to the unsociable genius of their faith, to the practice of ancient kings, and even to the example of their legislator, who had a victim to a religious war, excited by his own intolerant zeal. By an edict of Artaxerxes, the exercise of every worship, except that of Zoroaster, was severely prohibited.

Over the door to the left is the earliest work, as it is said, of Nicolò Pisano, and beneath it an Adoration of the Magi, in which some have found the hand of Giovanni, his son; while above the great door itself Our Lord is in glory, with the Twelve Apostles beneath, and Madonna herself in the midst.

But there was no voice throughout the vast illimitable desert, and the characters upon the rock were SILENCE. And the man shuddered, and turned his face away, and fled afar off, in haste, so that I beheld him no more." Now there are fine tales in the volumes of the Magi in the iron-bound, melancholy volumes of the Magi.

You will find that the stories in this collection are of different types with settings that take you in imagination all over our own country and into foreign lands. Try writing a story with a surprise ending like "The Gift of the Magi," a character story with the theme of unselfish love, and its setting in a big city.

And indeed we may trace very happily the rise of Tuscan sculpture in Pistoja. Though she possesses no work of Niccolò himself, his influence is supreme in the pulpit of S. Giovanni Fuorcivitas, and it is the beautiful work of his son Giovanni we see in the great pulpit of S. Andrea, where you enter by a door carved in 1166 by Gruamonte with the Adoration of the Magi.