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Updated: May 31, 2025


Secondly, the best-preserved portrait of Shakspere shows him with hair verging upon a reddish hue. To which Crispinus replies, 'Why, a man may be a poet, and yet not change his hair. 'Rufus Laberius Crispinus' might truly be thus rendered: 'The red-haired SHAK-erius, with the crisp-head, who cribs like St.

We may form a pretty accurate idea of the quality of these productions from the fact that Quintus Cicero, in order homoeopathically to beguile the weariness of winter quarters in Gaul, composed four tragedies in sixteen days. The Mime Laberius

An affecting story I read many years ago in that elegant and entertaining work, Lempriere's 'Classical Dictionary' well illustrates the feeling of the Roman world. Julius Decimus Laberius was a Roman knight and dramatic author, famous for his mimes, who had the misfortune to irritate a greater Julius, the author of the 'Commentaries, when the latter was at the height of his power.

The full name given by Jonson to Crispinus is RUFUS LABERIUS CRISPINUS. John Marston already, in 1598, designates Shakspere with the nickname 'Rufus. Everyone can convince himself of this by first reading Shakspere's 'Venus and Adonis, and immediately afterwards John Marston's 'Metamorphosis of Pigmalion's Image. We do not know whether it has struck anyone as yet that this poem of Marston is a most evident satire, written even in the same metre as Shakspere's first, and at that time most popular, poem.

Most pieces of this sort were doubtless of a very fugitive nature and made no pretension to a place in literature; but the mimes of Laberius, full of pungent delineation of character and in point of language and metre exhibiting the hand of a master, maintained their ground in it; and even the historian must regret that we are no longer permitted to compare the drama of the republican death-struggle in Rome with its great Attic counterpart.

The Greek Mimes were dialogues in prose, and not destined for the stage; the Roman were in verse, were acted, and often delivered extempore. The most celebrated authors of this kind were Laberius and Syrus, contemporaries of Julius Caesar.

Caesar, on his part, kept his engagement: he gave Laberius a considerable sum of money, and invested him anew with the equestrian rank, which, however, could not re-instate him in the opinion of his fellow-citizens.

The Roman custom of placing the name of the gens, or family, in the middle of a person's name, leaves no doubt as to Jonson's intention. Laberius was a dramatic poet, even as Shakspere. So was Shakspere. Laberius played in his own dramas. Shakspere did the same. Laberius' name corresponds etymologically, as regards meaning, to the root-syllable in Shakspere's name.

That day, Q. Laberius Durus, a tribune of the soldiers, was slain. The enemy, since more cohorts were sent against them, were repulsed. But the system of cavalry engagement is wont to produce equal danger, and indeed the same, both to those who retreat and those who pursue.

Most pieces of this sort were doubtless of a very fugitive nature and made no pretension to a place in literature; but the mimes of Laberius, full of pungent delineation of character and in point of language and metre exhibiting the hand of a master, maintained their ground in it; and even the historian must regret that we are no longer permitted to compare the drama of the republican death-struggle in Rome with its great Attic counterpart.

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