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At once there was a burst of applause from the German lines. They called out: "Kameraden! Kameraden!" This was going too far. I saw two unarmed Prussians leave their trench and come forward, with their hands raised towards the two Frenchmen, so I consulted G.: "Ought we to fire? I confess it would be rather unpleasant for me to order our fellows to fire upon these unarmed men.

We shall be good Kameraden, as you and this little Griffith are what is it they say good fellows? That is it good fellows, yes? So, shall we shake hands on it?" But I snatched my hand away. "I don't want to be a good fellow," I cried. "I'm tired of being a good fellow.

To show his independence Monsieur Trotsky was sitting on the table; others were without collars and in the most unrespectable state of humor. When the German delegation entered they did not move; the leader of the Germans, an old general, stopped for a moment, looked at them in disgust, and then suddenly shouted: "Stand! Attention! Get up, you, Kameraden!"

And when the last words of this verse had died away, the whole audience shouted and roared, "DA CAPO! DA CAPO!" In the pit, in the boxes, in the gallery, in short, every one rose to their feet, and all eyes again turned to the box in which the members of the French embassy were seated, and thus, standing, in a jubilant tone and with threatening glances, the whole audience joined the chorus of the actors on the stage; for they knew already the words of the additional verse by heart, and sang in a thundering voice: "Wohlauf, Kameraden, zur Schlacht, zum Krieg, In's Feld, in die Freibeit gezogen.

"WOHLAUF, KAMERADEN AUF'S PFER, AUF'S PFERD!" sang the chorus on the stage, and the audience followed every verse, every line, with breathless attention. All at once people looked in great surprise at each other, and then listened with the utmost suspense to the singers, who had added to the merry horseman's song a verse which had not been heard heretofore.