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If you like you may live in my palace and be my servant." D. Joaõ accepted the giant's offer and stayed at the palace. The giant's daughter Guimara was very much pleased with D. Joaõ. He was the first little man she had ever seen. She fell deeply in love with him. Her father, however, was very much disgusted at her lack of good taste. He preferred to have a giant for a son-in-law.

Below, on one side there kneels Dom Manoel with his six sons João, afterwards king; Luis, duke of Beja; Fernando, duke of Guarda; Affonso, afterwards archbishop of Lisbon, with his cardinal's hat; Henrique, later cardinal archbishop of Evora, and then king; and Duarte, duke of Guimarães and ancestor of the present ruling house of Braganza.

With the beginning of the Claustro dos Filippes the work of João de Castilho comes to an end. He had been actively employed for about forty years, beginning and ending at Thomar, finishing Belem, and adding to Alcobaça, besides improving the now vanished royal palace and even fortifying Mazagão on the Moroccan coast, where perhaps his work may still survive.

Also at Thomar, but in the parish church of São João Baptista, are some pictures ascribed by Justi to a pupil of Quentin Matsys. Now it is known that a Portuguese called Eduard became a pupil of Matsys in 1504, and four years later a Vrejmeester of the guild. So perhaps they may be by this Eduard or by some fellow-pupil.

It was intended that Joao Machado should remain in the country in older that on their return he should be able, should he live, to give them full information about the people. While the Saint Raphael was hove to, she struck upon a shoal, and was with difficulty got off, in consequence of which it was afterwards named the Banks of Saint Raphael.

Here in 1532 his son João III. dedicated a reredos of alabaster and black marble as a thankoffering for the birth of a son. Like Nicolas' work at São Marcos the altar piece is full of exquisite carving, more beautiful than in his older work. In the large central niche, with its fringe of cusps, is the 'Entombment, where Our Lord is being laid by angels in a beautiful sarcophagus.

Accordingly he thought of a plot to get D. Joaõ into trouble. The next day he sent for D. Joaõ to appear before him. "O little man," he said to him, "they tell me that you are very proud of yourself and that you are boasting among my servants that you are able to tear down my palace in a single night and set it up again as quickly as you tore it down."

"My gosh! I'll say it does. Sounds like a Sat'day night row in a Second Av'noo saloon, except there ain't no shootin'. Guess you boys have some night life, too, even if ye are away back in the bush." "Time for us to move, Tim," laughed Knowlton. "It'll be dark in no time. Joao, will you have our baggage moved to the hotel?"

João found it difficult to refuse, disagreeable to inquire, and laborious to discuss. He was, in fact, an amiable man, but not a strong one. João used the best measures at his command for the prosperity of his adopted kingdom, and he carried out reforms as far as he could or dared.

Several attempts at insurrection took place in the neighbourhood of Recife itself, and the methods of the Dutch in repressing these became increasingly harsh. Some of the malcontents were hanged, and in several cases their hands were lopped off before death. The Brazilian patriot, João Fernandes, now became very prominent, and the Dutch in consequence began to be more and more harassed.