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Far up on the right, near the roof, is a projecting white rock, and above the rock an orifice wherefrom a slow stream drips, seeming white as the rock itself. This is the legendary Fountain of Jizo, the fountain of milk at which the souls of dead children drink. Sometimes it flows more swiftly, sometimes more slowly; but it never ceases by night or day.

I saw Kwannon, of many forms; Jizo, of many names; Shaka, Yakushi, Amida, the Buddhas and their disciples. They were very old; and their art was not all of Japan, nor of any one place or time: there were shapes from Korea, China, India, treasures brought over sea in the rich days of the early Buddhist missions. Some were seated upon lotos-flowers, the lotos-flowers of the Apparitional Birth.

Even when these are launched upon rivers, or when floating lanterns are set adrift upon lakes or canals to light the ghosts upon their way, or when a mother bereaved drops into some running stream one hundred little prints of Jizo for the sake of her lost darling, the vague idea behind the pious act is that all waters flow to the sea and the sea itself unto the 'Nether-distant Land.

There the gentle Jizo would care for thee, and hide thee in his great sleeves, and keep all evil from thee, and play shadowy play with thee; and this thy forsaken mother, who now comes to ask an alms for thy sake, dumbly pointing to thy strange beauty with her patient Japanese smile, would put little stones upon the knees of the dear god that thou mightest find rest.

I see one which has left its lotus-cradle, being conducted by a celestial Jizo toward the higher splendours far away. Above, in the loftiest blue, are floating tennin, angels of the Buddhist heaven, maidens with phoenix wings.

And Jizo came in answer to her prayer and stood upon the chessboard, and disrobed himself, and changed his body suddenly into the body of a woman. As we travel on, the road curves and narrows between higher elevations, and becomes more sombre.

And the old grandmother bade the children never pass a figure of Jizo without paying it the tribute of a pebble, for this reason: Every little child who dies, she said, has to pass over So-dzu-kawa, the river of the underworld.

'Now there is a wasan of Jizo, says Akira, taking from a shelf in the temple alcove some much-worn, blue-covered Japanese book. 'A wasan is what you would call a hymn or psalm. This book is two hundred years old: it is called Saino-Kawara-kuchi-zu-sami-no-den, which is, literally, "The Legend of the Humming of the Sai-no-Kawara."

And the Oni, who are demons, come to throw down the little stone-piles as fast as the children build; and these demons frighten the children, and torment them. But the little souls run to Jizo, who hides them in his great sleeves, and comforts them, and makes the demons go away.

Indeed, so charming the ideal of Jizo is that in the speech of the people a beautiful face is always likened to his 'Jizo-kao, as the face of Jizo. And we come to the end of the cemetery, to the verge of the great grove. Beyond the trees, what caressing sun, what spiritual loveliness in the tender day!