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The gondola slipped from the Canalazzo into the network of the smaller canals, where the dense shadows were as old as the palaces that cast them and stopped at the landing of a narrow quay. The gondolier dismounted and rang at Don Ippolito's door. There was no response; he rang again and again. At last from a window of the uppermost story the head of the priest himself peered out.
If they were not able to cast the same mantle of charity over Don Ippolito's allegiance, and doubtless they had their reserves concerning such frankly familiar treatment of so dubious a character as priest, still as a priest they stood somewhat in awe of him; they had the spontaneous loyalty of their race to the people they served, and they never intimated by a look that they found it strange when Don Ippolito freely came and went.
He confesses that his illness was owing to an anxiety of love; and he even makes an appeal to the cardinal's experience of such feelings; so that it might seem he was not afraid of Ippolito's displeasure in that direction. The appeal to the cardinal's experience might only have exasperated him, in its assumption of the identity of the case.
There was no sound in the calle save his own footfalls and the harsh scream of a parrot that hung in the sunshine in one of the loftiest windows; but the note of a peasant crying pots of pinks and roses in the campo came softened to Don Ippolito's sense, and he heard the gondoliers as they hoarsely jested together and gossiped, with the canal between them, at the next gondola station.
It was probably on occasion of some early disgust with the cardinal; but I am at a loss to discover at what period of time. Perhaps, indeed, he had the cardinal's permission, both to quit his service, and return to it. Possibly he was not to quit it at all, except according to events; but merely had leave given him to join a party in arms, who were furthering Ippolito's own objects.
Don Ippolito's model was of admirable finish; he even painted the carriage yellow and black, because that of the original was so, and colored the piece to look like brass; and he lost a day while the paint was drying, after he was otherwise ready to show it to the consul.
Vervain. "In fact," continued Ferris, "I suppose we may say that, under Providence, we probably owe our lives to Don Ippolito's self-sacrifice and Miss Vervain's knowledge of German. At any rate, it's what I shall always maintain." "Mother, don't you think you had better go in?" asked Florida, gently. Her gentleness ignored the presence, the existence of Ferris.
Don Ippolito's prevailing tint was that transparent blueishness which comes from much shaving of a heavy black beard; his forehead and temples were marble white; he had a tonsure the size of a dollar. He sat silent for a little space, and softly questioned the consul's face with his dreamy eyes.
It was late before Ferris forgot his chagrin in sleep, and when he woke the next morning, the sun was making the solid green blinds at his window odorous of their native pine woods with its heat, and thrusting a golden spear at the heart of Don Ippolito's effigy where he had left it on the easel. Marina brought a letter with his coffee. The letter was from Mrs.
Don Ippolito's best was a little poverty-stricken; he had faltered a while, before leaving home, over the sad choice between a shabby cylinder hat of obsolete fashion and his well-worn three-cornered priestly beaver, and had at last put on the latter with a sigh.
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