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Updated: May 24, 2025


The naïvete and homeliness of his feeling, with the addition sometimes of a trait of kindly humour; the admirable lighting, and a touch resembling Rembrandt in impasto and vigour, render his pictures very attractive. In the National Gallery, besides The Card Players, are The Cradle, The Dutch Ménage, dated 1655; and The Idle Servant: all these are admirable, and the last-named a chef-d'oeuvre.

Nor is this all; for since these blocks, or words, are the acknowledged currency of our daily affairs, there are here possible none of those suppressions by which other arts obtain relief, continuity, and vigour: no hieroglyphic touch, no smoothed impasto, no inscrutable shadow, as in painting; no blank wall, as in architecture; but every word, phrase, sentence, and paragraph must move in a logical progression, and convey a definite conventional import.

Greco composed his palette with white vermilion, lake, yellow ochre, ivory black. Señor Beruete says that "he generally laid on an impasto for his flesh, put on in little touches, and then added a few definite strokes with the brush which, though accentuated, are very delicate... The gradations of the values is in itself instructive."

It might be a good method where there is perceptibly much impasto of glue, and which, while almost readily yielding to the penetrative power of steam, is a great nuisance under ordinary circumstances.

His features are distinguishable and delicate: you would suppose him appearing to you under the beams of a common candle, or cottage coalfire ferruginously opaque. He is the ghost of the painter's impasto.

The painting in the Louvre has more vividness in the carnations, and the impasto is thicker than at Lambeth; otherwise the two are identical. But for myself I find a more seizing quality in the chalk drawing than in either. There is something in its sunken fading eyes that speaks of the majesty of office as well as its burdens.

The woman standing in the centre of the room is Lucrezia della Fede; this is the first known likeness of her. There is a richness of colour without impasto, a modulation of shade giving full relief without startling contrast, a clear air below and celestial haze in the angel-peopled clouds above. This might well be classed as on the highest level ever reached in fresco.

We have here, in a work by one of our most eminent artists, an homage to the genius of him 'who touched nothing which he did not adorn: and the charming subject is handled in the most delicious manner by Mr. Smith. The chiaroscuro is admirable: the impasto is perfect.

His features are distinguishable and delicate: you would suppose him appearing to you under the beams of a common candle, or cottage coalfire ferruginously opaque. He is the ghost of the painter's impasto.

Lanzi says, "From his acting as a continual censor of his own productions, he became among his fellow pupils the most exact and expressive designer, his colors most true to nature, and of the best impasto, the most universal master in the theory of his art, the sole painter amongst them all in whom Mengs found nothing to desire except a little more elegance.

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