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Updated: May 20, 2025
In and out, and here and there, full speed he dashed amid the throng of the Trojans, but for all the fury of his pursuit he killed no man, for he could not wield his spear and keep his horses in hand when alone in the chariot; at last, however, a comrade, Alcimedon, son of Laerces son of Haemon caught sight of him and came up behind his chariot.
So Lies death embracing death!" In the midst of this description, by a fine stroke of art, Euridice, the mother of Haemon, abruptly and silently quits the stage . When next we hear of her, she has destroyed herself, with her last breath cursing her husband as the murderer of her child. The end of the play leaves Creon the surviver.
At the close of the chorus the Nuntius enters to announce the catastrophe, and Eurydice, the wife of Creon, disturbed by rumours within her palace, is made an auditor of the narration. Creon and his train, after burying Polynices, repair to the cavern in which Antigone had been immured. They hear loud wailings within "that unconsecrated chamber" it is the voice of Haemon.
When men lose pleasure, I deem that they are not alive but moving corpses. Heap up wealth and live in kingly state, but if there is no pleasure withal, I would not pay the worth of a shadow for all the rest. Haemon is dead." Hearing the news, Eurydice the Queen comes out, and bids him tell his story in full. Creon found Haemon clasping the body of Antigone who had hung herself.
She acts upon her resolutions, baffles the vigilant guards, buries the corpse. Creon, on learning that his edict has been secretly disobeyed, orders the remains to be disinterred, and in a second attempt Antigone is discovered, brought before him, and condemned to death. Haemon, the son of Creon, had been affianced to Antigone.
But we know of none that is so called at the present time; and can only conjecture that the streamlet which is now called Haemon, and runs by the Temple of Hercules, where the Greeks were encamped, might perhaps in those days be called Thermodon.
To him the leading cause of ruin is evil counsel. Over and over again this teaching is driven home. All the leading characters mention it, Antigone, Haemon, Teiresias, and when it is disregarded, it is remorselessly brought home by disaster.
Straightway Quercens and Aquicolus beautiful in arms, and desperate Tmarus, and Haemon, seed of Mars, either gave back in rout with all their columns, or in the very gateway laid down their life. Then the spirits of the combatants swell in rising wrath, and now the Trojans gather swarming to the spot, and dare to close hand to hand and to sally farther out.
In a second ode the gradual extinction of Oedipus' race is described, owing to foolish word and insensate thought, for "when Heaven leads a man to ruin it makes him believe that evil is good". A new interest is added by Creon's son Haemon, the affianced lover of Antigone, who comes to interview his father.
Her lover, Haemon, the son of Creon, unable to avert her fate, would not survive her, and fell by his own hand. Antigone forms the subject of two fine tragedies of the Grecian poet Sophocles. Mrs. Jameson, in her "Characteristics of Women," has compared her character with that of Cordelia, in Shakspeare's "King Lear." The perusal of her remarks cannot fail to gratify our readers.
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