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Updated: May 10, 2025


And Messer Lodovico showed them also what he himself held to be his greatest treasures the precious books adorned by exquisite miniatures from the hand of Fra Antonio da Monza and other living artists, the Sforziada and the Chant de Roland, and the rare Greek and Latin manuscripts which he had been at such infinite pains to collect; the codici brought from Bobbio by Giorgio Merula, and the manuscripts which Erasmo Brasca had discovered when Il Moro sent him to search for missing texts in the convents of the South of France.

This picture was held by Lorenzo Nasi, as long as he lived, in very great veneration, both in memory of Raffaello, who had been so much his friend, and on account of the dignity and excellence of the work; but afterwards, on August 9, in the year 1548, it met an evil fate, when, on account of the collapse of the hill of S. Giorgio, the house of Lorenzo fell down, together with the ornate and beautiful houses of the heirs of Marco del Nero, and other neighbouring dwellings.

He had the plans all ready, but a wiser than he, one Da Ponte, undertook to make the structure good without rebuilding, and carried out his word. Terrible to think of what the Vicenza classicist would have done with that gentle, gay, and human façade! S. Giorgio has a few pictures, chief of which are the two great Tintorettos in the choir. These are, however, very difficult to see.

In one of his pictures in Naples the Madonna is engaged in sewing. His most celebrated, 'Madonna del Rosario, is in S. Sabina, Rome. The Madonna bending in ecstatic worship over an infant Christ lying on a cushion is in the Dresden Gallery. Giorgio Vasari was born at Arezzo in 1512 and died at Florence in 1574. He was an architect, or jeweller, and a historical painter of heavy crowded pictures.

In addition to Castle Vecchio on the north, there was, in Lucretia's time, another at the southwest Castle Tealto or Tedaldo which was situated on one of the branches of the Po, and which had a gate opening into the city and a pontoon bridge connecting it with the suburb S. Giorgio. Lucretia had entered by this gate.

Now Vasari, having gone in the evening to see how he was, found that he had fallen asleep with one leg covered and the other bare; whereupon, one servant holding his leg and the other pulling at the stocking, they contrived to draw it off, while he lay cursing clothes, Giorgio, and him who invented such fashions as so he said kept men bound in chains like slaves.

It is so Venetian, indeed, that it wants but a few silent gondolas and noisy gondoliers, in place of the dark, taciturn oarsmen of the clumsy native boats, to complete the coming and going illusion; and there is no good reason why the rough little isles that fill the bay should not call themselves respectively San Giorgio and San Clemente, and Sant' Elena and San Lazzaro: they probably have no other names!

The mounted warrior to the extreme right, who has been supposed to represent Alfonso d'Este, shows the genial physiognomy made familiar by the Madrid picture so long deemed to be his portrait, but which, as has already been pointed out, represents much more probably his successor Ercole II. d'Este, whom we find again in that superb piece by the master, the so-called Giorgio Cornaro of Castle Howard.

Giorgio Barbarelli was born at Castel Franco, a small town not far from Venice, and it was to the great city of the sea that he was sent as soon as he was old enough, there to be trained under the famous Bellini. He was a handsome boy, tall and well-built, and with such a royal bearing that his companions at once gave him the name of Giorgione, or George the Great.

Having thus arranged their government, the city fell into fresh difficulties, and applied to San Giorgio for assistance, which, being wealthy and well managed, was able to afford the required aid.

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