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Updated: June 23, 2025
He maintained on the contrary, that it is our true wisdom to place obstacles in its way, and to thwart it: as we may be well assured that, unless it is a mere caprice, it will shew its strength in conquering difficulties, and that all the obstacles that we can conjure up will but inspire it with the greater earnestness to attain final success. Henry Fuseli.
He had an inherent dislike to Opie; and some one, to please Fuseli, said, in allusion to the low characters in the historical pictures of the Death of James I. of Scotland, and the Murder of David Rizzio, that Opie could paint nothing but vulgarity and dirt. "If he paints nothing but dirt," said Fuseli, "he paints it like an angel."
He also painted Stothard and Nollekens, and the well-known and admirable portrait of Fuseli. With this he took extraordinary pains, had numerous sittings, and was two whole days engaged upon the right hand only a long time according to the art-opinion of his day, when it was the fashion to finish a portrait in a very dashing style of execution, after one sitting, and in a few hours' time. Mr.
To his regret the petition to the council of the Royal Academy for this favor, handed in to them by West and advocated strongly by him and Fuseli, was not granted. He was told that it was necessary, according to the rules of the Academy, that the artist should be present to receive the premium; it could not be received by proxy.
"All the worse for your drawing," replied Fuseli, "buy a two-penny loaf and rub it out." "What do you see, sir?" he said one day to a student, who, with his pencil in his hand and his drawing before him, was gazing into vacancy. "Nothing, sir," was the answer.
Smitten with Rousseau's conception of the perfectness of the savage state, and the essential abortiveness of all civilization, Mr. Fuseli looks at all our little attempts at improvement, with a spirit that borders perhaps too much upon contempt and indifference. One of his favourite positions is the divinity of genius.
I was born in February or March it was some cursed cold month, as you may guess from my diminutive stature and crabbed disposition." He was the son of the painter, John Caspar Fuseli, and the second of eighteen children.
Pamphlets and accusations were probably uncommon things in Zurich; in some other countries they would have dropped from the author's hands harmless or unheeded; but the united labors of Fuseli and Lavater drove the unjust magistrate into exile, and procured remuneration to those who had suffered. Fuseli early gained a reputation for scholarship, poetry, and painting.
After having obtained the degree of Master of Arts from the college at Zurich, Fuseli bade farewell to his father's house, and traveled in company with Lavater to Berlin, where he placed himself under the care of Sulzer, author of the "Lexicon of the Fine Arts."
Runciman no more took his style from Fuseli, than Fuseli from Runciman, and the unquestionable resemblance between their works was only the natural result of a similarity of idiosyncrasy. They both worked hard together, making painstaking copies of the great masters.
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