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Updated: May 27, 2025
Frescobaldi's men were in possession everywhere they had turned the cook out of her kitchen and the waitress out of her pantry; the reluctant Irishman at the door was supplemented by a vivid Italian, who spoke French with the guests, and said, "Bien, Monsieur," and "toute suite," and "Merci!" to all, as he took their hats and coats, and effused a hospitality that needed no language but the gleam of his eyes and teeth and the play of his eloquent hands.
Fulkerson came back to March, who had turned toward Conrad Dryfoos, and said, "If we don't get this thing going pretty soon, it 'll be the death of me," and just then Frescobaldi's butler came in and announced to Dryfoos that dinner was served. The old man looked toward Fulkerson with a troubled glance, as if he did not know what to do; he made a gesture to touch Lindau's elbow.
Fulkerson came back to March, who had turned toward Conrad Dryfoos, and said, "If we don't get this thing going pretty soon, it 'll be the death of me," and just then Frescobaldi's butler came in and announced to Dryfoos that dinner was served. The old man looked toward Fulkerson with a troubled glance, as if he did not know what to do; he made a gesture to touch Lindau's elbow.
Frescobaldi's men were in possession everywhere they had turned the cook out of her kitchen and the waitress out of her pantry; the reluctant Irishman at the door was supplemented by a vivid Italian, who spoke French with the guests, and said, "Bien, Monsieur," and "toute suite," and "Merci!" to all, as he took their hats and coats, and effused a hospitality that needed no language but the gleam of his eyes and teeth and the play of his eloquent hands.
After all, he didn't give any reason he had for accepting. But perhaps the young lady had the reason." "Pshaw, March!" said Fulkerson. So far as the Dryfoos family was concerned, the dinner might as well have been given at Frescobaldi's rooms. None of the ladies appeared. Mrs.
Dryfoos had reduced the scale of the banquet as regarded the number of guests, but a confusing remembrance of what Fulkerson had wished to do remained with him in part, and up to the day of the dinner he dropped in at Frescobaldi's and ordered more dishes and more of them.
We want to congratulate you," Fulkerson called to him. "Here, gentlemen! Here's Frescobaldi's health." They all drank; and Frescobaldi, smiling brilliantly and rubbing his hands as he bowed right and left, permitted himself to say to Dryfoos: "You are please; no? You like?"
Following still the popular legend, we find him in the autumn of 1515 a ragged stripling at the door of Frescobaldi's banking-house in Florence, begging for help. Frescobaldi had an establishment in London, with a large connexion there; and seeing an English face, and seemingly an honest one, he asked the boy who and what he was.
Fulkerson cackled over the ruin: "I wonder if all Moffitt will look that way after labor and capital have fought it out together. I hope this ain't ominous of anything personal, Dryfoos?" "I'll take the risk of it," said the old man, harshly. He rose mechanically, and Fulkerson said to Frescobaldi's man, "You can bring us the coffee in the library." The talk did not recover itself there.
It expressed Frescobaldi's conception of a derrick, and a touch of nature had been added in the flame of brandy, which burned luridly up from a small pit in the centre of the base, and represented the gas in combustion as it issued from the ground. Fulkerson burst into a roar of laughter with the words that recognized Frescobaldi's personal tribute to Dryfoos.
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