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Updated: June 17, 2025


At all events, when May came round I was in possession of a hundred neatly bound copies of my first new work since the production of the Fliegender Hollander, and Hiller, to whom I showed some parts of it, formed a tolerably good impression of its value.

As I had now fully realised the serious weaknesses in the performance of Tannhauser, I only agreed to a revival of the Fliegender Hollander, for the reason that I wished to hear the singer Beck, who excelled in that opera.

As for the music of the piece, he advised me, amid all the variations, to use only one set of phrases, namely: for the tenor, 'Off with His head!; for the soprano, 'Hang Him!; and for the basso continuo, 'Fire! fire! And yet I felt more sympathetically drawn towards this prodigy of a man when I one day induced him to hear me play and sing the first scenes of my Fliegender Hollander.

The libretto of the Fliegender Hollander, which I had hurriedly written during the recent period of distress, aroused considerable interest in Lehrs; he actually declared I would never write anything better, and that the Fliegender Hollander would be my Don Juan; the only thing now was to find the music for it.

On the continent of Europe it also seems probable that a great autumnal movement of these spiders takes place; although, I must confess, I have no grounds for this statement, except that the floating gossamer is called in Germany "Der fliegender Summer" the flying or departing summer.

As Schroder-Devrient soon left Dresden for a considerable time, the Fliegender Hollander saw only four performances, at which the diminishing audiences made it plain that I had not pleased Dresden taste with it. The management was compelled to revive Rienzi in order to maintain my prestige; and the triumph of this opera compared with the failure of the Dutchman gave me food for reflection.

While I was staying with my relatives I played and sang them the Fliegender Hollander for the first time connectedly, and seemed to arouse considerable interest by my performance, for when, later on, my sister Louisa heard the opera in Dresden, she complained that much of the effect previously produced by my rendering did not come back to her. I also sought out my old friend Apel again.

Here I also received a visit from Werder, the man whose friendship I had made in Berlin under such dramatic circumstances. But this time he appeared in ordinary human guise, beneath the kindly light of heaven, by which we disputed in a friendly way concerning the true worth of the Fliegender Hollander, my mind having somewhat turned against this work since Tannhauser had got into my head.

Berlin made the same impression on me as on the occasion of my former visit, when I saw it again after my long absence in Paris. Professor Werder, my friend of the Fliegender Hollander, had taken lodgings for me in advance in the renowned Gensdarmeplatz, but when I looked at the view from my windows every day I could not believe that I was in a city which was the very centre of Germany.

An attempt was made to secure me some benefit by the publication of the pianoforte score of the Fliegender Hollander, as I wanted to reserve Rienzi, after the successes it had gained, as useful capital for a more favourable opportunity; but the plan was spoilt by the opposition of Messrs.

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