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Before a great work of art there was no distinction between daimyo, samurai, and commoner. Nowadays industrialism is making true refinement more and more difficult all the world over. Do we not need the tea-room more than ever? V. Art Appreciation Have you heard the Taoist tale of the Taming of the Harp?

Without external commerce, there was little need for internal trade; ships were small; roads were footpaths; education was limited to the samurai, or military class, retainers of the daimyo, "feudal lords"; inter-clan travel was limited and discouraged; Confucian ethics was the moral standard.

They are never allowed to enter any house in Matsue except the shop of a dealer in geta and other footgear. Originally vagrants, they were permanently settled in Matsue by some famous daimyo, who built for them small houses koya on the bank of the canal. Hence their name. As for the eta proper, their condition and calling are too familiar to need comment in this connection.

The sympathetic communion of minds necessary for art appreciation must be based on mutual concession. The spectator must cultivate the proper attitude for receiving the message, as the artist must know how to impart it. The tea-master, Kobori-Enshiu, himself a daimyo, has left to us these memorable words: "Approach a great painting as thou wouldst approach a great prince."

Pursuing that policy, he bestowed immense estates upon those that yielded to him, so that in time there came into existence holders of lands more extensive than those belonging to the shogun himself. Thus, while the landed estates of the Muromachi shogun measured only 15,798 cho* there were no less than eight daimyo more richly endowed. They were: *A cho at that time represented 3 acres.

These new tokens were called kenji-kin, as they bore on the reverse the ideograph ken, signifying "great original." The issue of the new coins took place in the year 1710, and at the same time the daimyo were strictly forbidden to issue paper currency, which veto also was imposed at the suggestion of Arai Hakuseki.

Fresh disputes arose; and lords whom the shogunate could not subdue made war upon each other. To such a condition of terror was the capital reduced that the court nobility fled from it to take refuge with daimyo powerful enough to afford them protection. Robbery became rife throughout the land; and piracy terrorized the seas.

Thence the shrine was borne to a spot by the side of the Mataubara road, where anciently stood an August Tea-House, O-Chaya, at which the daimyo, returning from the Shogun's capital, were accustomed to rest and to receive their faithful retainers, who always came in procession to meet them.

With the wonderful vases came a scroll bearing in Chinese text the names of the thirty-two donors; and three of these are names of ladies the three lady-teachers of the Normal School. The students of the Jinjo-Chugakko have also sent me a present the last contribution of two hundred and fifty-one pupils to my happiest memories of Matsue: a Japanese sword of the time of the daimyo.

In these cases it is worth while to consider what sort of persuasion was used upon the daimyo. We know that one great help to the missionary work was found in Portuguese commerce, especially the trade in firearms and ammunition. In the disturbed state of the country preceding the advent to power of Hideyoshi, this trade was a powerful bribe in religious negotiation with provincial lords.