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Updated: June 25, 2025
Two hours after Varhely had gone, a sort of feverish attraction drew Prince Andras to the spot where, the night before, he had listened to the Tzigana airs. Again, but alone this time, he drank in the accents of the music of his country, and sought to remember the impression produced upon him when Marsa had played this air or that one, this sad song or that czardas.
The next day some Tzigana musicians, whom the Prince had sent for, arrived at the castle. Marsa felt invigorated when she heard the czimbalom and the piercing notes of the czardas. She had been longing for those harmonies and songs which lay so near her heart.
The young man in the legend was rushing up the mountain path in earnest now, for he had seen ahead of him the girl he loved now the melody swept on through the wooing and the breaking of her promise, and now came the rush of the young man down to the nearest village to drown his chagrin and forget her in the mad dance, the "Czardas," which followed.
The next day some Tzigana musicians, whom the Prince had sent for, arrived at the castle. Marsa felt invigorated when she heard the czimbalom and the piercing notes of the czardas. She had been longing for those harmonies and songs which lay so near her heart.
In Leanu’s Faust Mephistopheles takes the violin out of the hands of one of the musicians at a peasant-wedding and plays a diabolical czardas, which fills the hearts of all who hear it with voluptuousness. An opera Un Violon du Diable was played in Paris in 1849. The Devil’s Violin, an extravaganza in verse by Benjamin Webster, was performed the same year in London.
"Yes," replied Andras, after a moment's hesitation. That evening found him at the casino; but his wound seemed to open again, and his heart to be grasped as in an iron hand, as he listened to the plaintive cries and moans of the Tzigani music. Had the strings of the bows played these czardas upon his own sinews, laid bare, he would not have trembled more violently.
"Yes," replied Andras, after a moment's hesitation. That evening found him at the casino; but his wound seemed to open again, and his heart to be grasped as in an iron hand, as he listened to the plaintive cries and moans of the Tzigani music. Had the strings of the bows played these czardas upon his own sinews, laid bare, he would not have trembled more violently.
"And who would substitute for me, Emil?" the professor asked. "That's all right," Emil replied. "I stopped in on my way over and I seen old man Hubai. He ain't shikker yet, so I told him he should go over and fiddle a couple czardas till you come, and to tell the boss you got a Magenweh and would be a little late. Me, I am going uptown to look at a fiddle.
All these odd people, astonishing a little and interesting greatly the groups of Parisians gathered above on the sidewalks, crossed the gangway leading to the boat, and, spreading about on the deck, gazed at the banks and the houses, or listened to the czardas which the Hungarian musicians were playing with a sort of savage frenzy beneath the French tricolor united to the three colors of their own country.
It is not even a sectional expression, for the white Southerners among whose slaves this music grew, as well as the people of the North, have always looked upon negro music as an exotic and curious thing. Familiar as it is to us, it is yet as foreign a music as any Tyrolean jodel or Hungarian czardas.
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