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Of that day, doomed to be her terminus in time through all the ages, she did not know the place in month, week, season or year. Almost at a leap Tess thus changed from simple girl to complex woman. Symbols of reflectiveness passed into her face, and a note of tragedy at times into her voice. Her eyes grew larger and more eloquent.

Hilbrough's words reminded her again that her sense of duty forced her to bind Charley Millard for the torture. A duty so rude to her feelings as the half-publicity of it made faith-healing, ought to be a duty beyond question, but here was the obligation she owed her lover running adverse to her higher aspirations. The questions for decision became complex, and she wavered.

His character is perfectly transparent: his predominant traits were humor and sentiment; his temperament was gay with a dash of melancholy; his inner life and his mental operations were the reverse of complex, and his literary method is simple.

But whilst our complex ideas of the sorts of substances are so remote from that internal real constitution on which their sensible qualities depend, and are made up of nothing but an imperfect collection of those apparent qualities our senses can discover, there can be few general propositions concerning substances of whose real truth we can be certainly assured; since there are but few simple ideas of whose connexion and necessary co-existence we can have certain and undoubted knowledge.

Such characters are therefore to be considered as units, and should be referred to the group of single characters. Opposed to these are the true compound characters, which consist of different units. These may be segregated by the production of varieties, and thereby betray the separate factors of the complex group.

Perhaps it involves more for women even than for men; indeed it must do so if we are to adhere to our conception of women as more complex than men, having all the possibilities of men in less or greater measure, and also certain supreme possibilities of their own. Whatever complete living may mean for men, it cannot mean for women anything less than all that is implied in Wordsworth's great line

The plots are neither new nor ingenious; the incidents are rarely more than commonplace; the characters are seldom very powerful, or original, or complex. There are very few "psychologic problems," very few dramatic situations, very few revelations of a new world and unfamiliar natures.

Should we not distrust the jaunty assurance with which every age prides itself that it at last has hit upon the ultimate concepts in which all that happens can be formulated? The aim of science is to seek the simplest explanations of complex facts. We are apt to fall into the error of thinking that the facts are simple because simplicity is the goal of our quest.

Rules for composition would be hard to draw from Greek examples, and would need a Greek critic to formulate them. But the conscious workmanship of the Romans shows us technical method as separable from the complex aesthetic result, and therefore is an excellent guide in the art.

And the love of this dead woman, who had never breathed, but whom he had buried with such bitter tears and such heartbroken grief, filled his whole being and twined itself through all the mazes of his complex nature, till no action of his life was independent of it, and no thought free from its all-dominating influence.