United States or Samoa ? Vote for the TOP Country of the Week !
The delicately indicated falling in love of Siegfried and Chriemhilt, the struggles of Markgraf Rüdger between obedience to his feudal superior and fidelity towards his friends and guests; and, above all, the canto of the death of Siegfried.
To our feelings, more akin to those of the feudal Christians of Franconia than to those of the tribal Scandinavians of the Edda, the second version is far more intelligible and interesting the story of this once gentle and loving Chriemhilt, turned by the murder of her beloved into a fury, and plotting to avenge his death by the death of all his kinsfolk, must be much grander and more pathetic than the story of this strange Gudrun, who sits down patiently beneath the injury done to her by her brothers, but savagely avenges them on her new husband, and her own and his innocent children; to us this persistence of tribal feeling, destroying all indignation and love, is merely unnatural, confusing, and repulsive.
Chriemhilt never forgives the murder of Siegfried, and it is not Etzel Atli for the sake of plunder, but she herself for the sake of revenge, who decoys her brothers and murders them; it is she who with her own hand cuts off the head of Gunther to expiate his murder of Siegfried.
Hatred of Hagen, devotion of Rüdger, passionate piety of Parzival all these are things of which we do not particularly see the how or why; we do not follow the reasons, in event or character, which make these men sacrifice themselves or others, weep, storm, and so forth; nay, even when these reasons are clear from the circumstances, we are not shown the action of the mechanism, we do not see how Brunhilt is wroth, how Chriemhilt is revengeful, how Herzeloid is devoted to Parzival.
"Kriemhild" is the Upper German form of the Frankish "Grimhild". In the MSS., the name generally appears with a further shifting as "Chriemhilt", as if the initial consonant were Germanic "k". On the various forms of the name, which have never yet been satisfactorily explained, see Mullenhoff, ZsfdA. xii, 299, 413; xv, 313; and Bohnenberger, PB. Beit. xxiv, 221-231.
Events like the death of Hector, the slaughter of Penelope's suitors, the festive massacre of Chriemhilt, the horrible deceit of Alfonso the Chaste sending Bernardo del Carpio his father's corpse on horseback things like these never enter their minds.
Nay, we see that through its influence the grave and simple married love of the earlier tales of chivalry, the love of Siegfried for Chriemhilt, of Roland for his bride Belle Aude, of Renaud for his wife Clarisse, is gradually replaced in later fiction by the irregular love-makings of Huon of Bordeaux, Ogier the Dane, and Artus of Brittany; until we come at last to the extraordinary series of the Amadis romances, where every hero without exception is the bastard of virtuous parents, who subsequently marry and discover their foundling: a state of things which, even in the corrupt Renaissance, Boiardo and Ariosto found it necessary to reform in their romantic poems.
Word Of The Day