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"On the morning of the Festa, the ceri were placed on the trabacche, that were more than sixty in number, carried, by boys dressed in liveries, with much pomp. Immediately after followed the Anziani, the Podest
So great was the desire that Perino had to attain to excellence in his profession, that, when he heard Rome mentioned, through his eagerness to see that city, he was deeply moved; but he told him that he must speak to Andrea de' Ceri, who had supported him up to that time, so that he was loth to abandon him.
Andrea was no great painter; quite commonplace, indeed, and one of those who stand openly and publicly in their workshops, executing any kind of work, however mean; and he was wont to paint every year for the festival of S. John certain wax tapers which were carried as offerings, as they still are, together with the other tributes of the city; for which reason he was called Andrea de' Ceri, and from that name Perino was afterwards called for some time Perino de' Ceri.
The sky made the fairest blue tent, and under it the bells swung so vigorously that every evil spirit with sense enough to be formidable, must long since have taken his flight; windows and terraced roofs were alive with human faces; sombre stone houses were bright with hanging draperies; the boldly soaring palace tower, the yet older square tower of the Bargello, and the spire of the neighbouring Badia, seemed to keep watch above; and below, on the broad polygonal flags of the piazza, was the glorious show of banners, and horses with rich trappings, and gigantic ceri, or tapers, that were fitly called towers strangely aggrandised descendants of those torches by whose faint light the Church worshipped in the Catacombs.
Hasty preparations for defence were made; a certain Renzo da Ceri armed such men as he could enlist with such weapons as he could find, and sent out a little force of grooms and artificers to face the Constable's ruthless Spaniards and the fierce Germans of his companion freebooter, George of Fransperg, or Franzberg, who carried about a silken cord by which he swore to strangle the Pope with his own hands.
Michael like himself, he was inhibited by the terms of that knighthood from levying war upon him. To that he adhered, whilst disposing, however, to lay siege to Ceri, where Giulio and Giovanni Orsini had taken refuge. In the meantime, the Cardinal Gianbattista Orsini had breathed his last in the Castle of Sant' Angelo.
And so, having a straight friendship with Ridolfo, the son of Domenico Ghirlandajo, who, as will be related, was held to be able and well practised in painting, Andrea de' Ceri placed Perino with him, to the end that he might give his attention to design, and strive with all the zeal and love at his command to make in that art the proficience of which his great genius gave promise.
The town of Ceres, made famous by Renzo da Ceri, who defended by turns Marseilles against Charles V. and Geneva against the Duke of Savoy, is nothing but a solitude. In all the fiefs of the Orsinis and the Colonnes not a soul.
But, not liking that profession, he was taken as shop-boy by the painter Andrea de' Ceri, who was pleased with the air and the ways of Perino, and thought that he saw in him a certain lively spirit of intelligence from which it might be hoped that in time some good fruits would issue from him.
The beautiful and majestic Duchess of Zagarolo was to act the part of the heroine; her brother and sister-in-law, the Duke and Duchess of Ceri, respectively the parts of Hæmon and of Argia, while the character of Creon, the villain of the piece, was reserved for Alfieri himself. The performance of Antigone was a great solemnity.
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