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Updated: June 19, 2025
Two or three of the peeping rooms were too small for four, but one was arranged for a partie carrée.
From the gardens we went slowly to that other temple which unthinking people and guide-books have named the Maison Carrée, the most lovely temple out of Greece, and the one which has suffered most from sheer, uncompromising stupidity in modern days.
Scoutbush kissed Lucia, shook hands with Elsley, hugged the children, and then settled himself in an arm-chair, and talked about the weather, exactly as if he had been running in and out of the house every week for the last three years, and so the matter was done; and for the first time a partie carrée was assembled in the dining-room.
In the tossed and tumbled interior of this maison carree the pavement-slabs, especially along the south-western side, appear in tolerable order and not much disturbed; whilst further east a long trench from north to south had been sunk by the treasure seeker. The breadth of the free passage is 1 metre 92 centimetres; and the disposal suggested an inner peristyle, forming an impluvium.
He wanted to let her know indirectly what he was feeling. And so, almost unconsciously, he found himself walking away from the Jardin towards the centre of the town, towards the ruined arena and the Roman temple known as the Maison Carrée. Most probably she would be sketching at one or other of them.
Such an entertainment of course does not supply to the arena that element of the exquisite which I spoke of as wanting. The exquisite at Nimes is mainly represented by the famous Maison Carree. The first impression you receive from this delicate little building, as you stand before it, is that you have already seen it many times.
He raves about Ossian, gazes for hours on the Maison Carrée at Nismes, writes letters to Paine on arcs and catenaries, busies himself with vocabularies, natural history, geology, discourses magisterially about Newton and Lavoisier, and studies nothing thoroughly. One can see by the way in which he handles his technical terms that he does not know the use of them.
Perhaps there is only one modern edifice Palladio's Palazzo della Ragione at Vicenza which approaches the dignity and loftiness of Roman architecture; and this it does because of its absolute freedom from ornament, the vastness of its design, and the durability of its material. The temple, called the Maison Carrée, at Nismes, is also very perfect, and comprehended at one glance.
The Arenes are nearly in front of the Hôtel du Louvre, and the Maison Carrée is within two or three minutes' walk of it: the Temple of Diana and the Baths are situated in the most conspicuous spot in the public gardens, whither a perpetual concourse of people may be seen thronging; and the Pharos overlooks them from the summit of a small precipitous hill, which may be ascended in five minutes by a good walker.
Alone amid the eighteenth century painters he chose the palette of Velasquez in preference to that of Rubens, and in the nineteenth century Whistler too has chosen it. It was Velasquez who taught Mr. Whistler that flowing, limpid execution. In the painting of that blonde hair there is something more than a souvenir of the blonde hair of the Infante in the salle carree in the Louvre.
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