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Updated: June 19, 2025


She asked the youth who he might be, and he told her that he was the Cardenio who had been wronged by Don Fernando, the faithless friend and faithless lover; and he swore then and there a holy oath that he should see her married to Don Fernando or the latter would perish by his, Cardenio's, sword. Dorothea was moved to tears by the youth's words and thanked him profusely.

The curate had by this time conceived the idea of shearing Cardenio of his beard that Don Quixote would be unable to recognize him; and he had furnished him with his own grey jerkin and a black cloak, so that he himself appeared in breeches and doublet only. Having effected the change, they took a short-cut through the woods and came out on the open road ahead of Don Quixote.

The song ended with a deep sigh, and again the listeners remained waiting attentively for the singer to resume; but perceiving that the music had now turned to sobs and heart-rending moans they determined to find out who the unhappy being could be whose voice was as rare as his sighs were piteous, and they had not proceeded far when on turning the corner of a rock they discovered a man of the same aspect and appearance as Sancho had described to them when he told them the story of Cardenio.

Not so Luscinda, and Cardenio, and almost all the others, for they shed so many tears, some in their own happiness, some at that of the others, that one would have supposed a heavy calamity had fallen upon them all. Even Sancho Panza was weeping; though afterwards he said he only wept because he saw that Dorothea was not as he fancied the queen Micomicona, of whom he expected such great favours.

They gazed at one another without speaking, Dorothea at Don Fernando, Don Fernando at Cardenio, Cardenio at Luscinda, and Luscinda at Cardenio.

Cardenio had now put on the clothes which Dorothea was wearing when they found her, and though they were not very good, they were far better than those he put off. They dismounted together by the side of the spring, and with what the curate had provided himself with at the inn they appeased, though not very well, the keen appetite they all of them brought with them.

Luscinda and Zoraida took their places next her, opposite to them were Don Fernando and Cardenio, and next the captive and the other gentlemen, and by the side of the ladies, the curate and the barber.

No one could imagine who it was that sang so sweetly, and the voice was unaccompanied by any instrument. At one moment it seemed to them as if the singer were in the courtyard, at another in the stable; and as they were all attention, wondering, Cardenio came to the door and said, "Listen, whoever is not asleep, and you will hear a muleteer's voice that enchants as it chants."

Here Cardenio brought to a close his long discourse and story, as full of misfortune as it was of love; but just as the curate was going to address some words of comfort to him, he was stopped by a voice that reached his ear, saying in melancholy tones what will be told in the Fourth Part of this narrative; for at this point the sage and sagacious historian, Cide Hamete Benengeli, brought the Third to a conclusion.

All this conversation between the two was overheard by the muleteer at whose side Don Luis lay, and rising, he went to report what had taken place to Don Fernando, Cardenio, and the others, who had by this time dressed themselves; and told them how the man had addressed the youth as "Don," and what words had passed, and how he wanted him to return to his father, which the youth was unwilling to do.

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