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The more she shouts, the less I hear; I bury my head between my shoulders, and I look ahead of me and I take no notice. One cannot expect cab-horses to run up these hills; it is not reasonable." "So you went at a walk," said Hanaud. He beckoned to Ricardo, and said to the manager: "M. Besnard will, no doubt, be here in a few minutes, and he will send for the Juge d'Instruction.

Doubtless it was his refusal to visit Boston and study there the architectural conditions of the Public Library that resulted in the hang-fire of his decorations, though they are of an exalted order. One at least served as a spring-board for the decorative impulse of Besnard, as may be noted in his frescoes on the ceiling at the Hôtel de Ville, Paris.

There are many to whom Henri Martin's gorgeous colour really the methods of Monet applied to vast spaces or the blazing originality of Albert Besnard make more intimate appeal than the pallid poetry, solemn rhythms, and faded moonlit tonal gamut of Puvis.

"Printed, and published and sold at Geneva," said Hanaud. "When did you send the advertisement in, then?" "I wrote a letter while we were taking our luncheon," Hanaud explained. "The letter was to Besnard, asking him to telegraph the advertisement at once." "But you never said a word about it to us," Ricardo grumbled. "No. And was I not wise?" said Hanaud, with complacency.

It was close upon half-past nine when the bell rang from the salon. Vauquier was sure of the hour, for the charwoman called her attention to the clock. "I found Mme. Dauvray, Mlle Celie, and another woman in the salon," continued Helene Vauquier. "Madame had let them in with her latchkey." "Ah, the other woman!" cried Besnard. "Had you seen her before?" "No, monsieur." "What was she like?"

The problem is solved, as Besnard or Degas has solved it, successfully, but in purely personal manner. It is the picture in the Metropolitan Museum that is bound to attract attention, as it is a technical triumph; but it is not very characteristic.

But the Italian authorities, for the most part, were absorbed in the questions that came up with the threat of war. He secured magnificent canvases by the President of the French Academy in Rome, Albert Besnard, painted, for the most part, in Benares, with scenes on the Ganges, and a collection of pieces by the Norwegian sculptor, Lerche. Notable Collections

The case is not really different for the one or two seemingly more independent and noble artistic individualities, the great decorators like Watts or Besnard; their own work, like their own conscience, is indeed the purer and stronger for their intention of painting not for smoking-rooms and private collections, but for places where all men can see and understand; but then all men cannot see they are busy or too tired and they cannot understand, because the language of art has become foreign to them.

Ricardo the words were startling. He glanced with pity towards Wethermill. Wethermill, however, had made up his mind for good and all. He stood with a dogged look upon his face, his chin thrust forward, his eyes upon the chauffeur. Besnard, the Commissaire, had made up his mind, too. He merely shrugged his shoulders. Hanaud stepped forward and laid his hand gently on the chauffeur's arm.

But the study of light upon the figure has been the special preoccupation of Manet, Renoir, and Pissarro, and, after the Impressionists, of the great lyricist, Albert Besnard, who has concentrated the Impressionist qualities by placing them at the service of a very personal conception of symbolistic art.