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Updated: May 3, 2025
The big syndicate which has its home in this city and is endeavoring to control the theatrical business of more than half the country is composed of Jews. One of them is an undersized Silenus named Erlanger, who used to be a pensioner upon the personal and mental abilities of the ill-fated Louise Balfe and repaid her for her bread and favors by brutally assaulting her in Arkansas.
"I am Sheila Llyn," was the astonished reply. "It's the same thing," came the response. "You are the daughter of Erris Boyne." Sheila turned pale. Who was this woman that knew her and her history? "What is your name?" she asked "your real name what is it?" "My name is Noreen Balfe; it was Noreen Boyne." For a moment Sheila could not get her bearings.
Whether she echoed his sentiments we are not told, but she lived seventeen years longer. Balfe married a German singer, Rosen, who afterward sang in some of his operas. One of the few other British composers who attained distinction was John Field, who, like Balfe, was Dublin-born. He was the inventor of Chopin's Nocturne.
Yet with all their weaknesses, his operas contain many tunes which have wound themselves into popular affection, and in the eyes of Bank-Holiday audiences, 'Maritana' stands second only to 'The Bohemian Girl. Trained in the school of Weber, he was a musician of a very different calibre from Balfe and Wallace.
We had a number of harmonized choruses, including several of Moore's melodies, Banim's "Soggarth Aroon," "Native Music," by Lover; McCann's "O'Donnell Aboo!" and others. "Killarney," words by Falconer, music by Balfe, was sung by James McArdle, who had a fine tenor voice. Richard Campbell was our principal humorous singer.
'Tis from a new opera called the Bohemian Girl, composed by Master Balfe," and folding her little hands before her, she sang sweetly, "Then You'll Remember Me." "When other lips and other hearts their tales of love shall tell Of days that have as happy been, and you'll remember you'll remember me." "Dick, why do you cover your eyes? You are surely not asleep?"
When she was taken to the general's house she was in great dejection, and her face had a look of ennui and despair. She was thin and worn, and her eyes only told of the struggle going on between life and death. "What is her name?" asked the resident doctor. "Noreen Balfe," was the reply of the ship's doctor. "A good old Irish name, though you can see she comes of the lower ranks of life."
On the first night she was in anything but good physical condition and the author of "Musical Recollections of the Last Half-Century" tells how she pulled herself through: "She remembered that an immense trial awaited her in the finale of the third act; and finding her strength giving way, she sent for Mr. Balfe and Mr.
Rosen, a German singer, whom he met in Italy in 1835; and his daughter Victoire, who subsequently married Sir John Crampton, and afterwards the Duc de Frias, also appeared as a singer in 1856. Balfe died Oct. 20, 1870, upon his own estate in Hertfordshire.
About the middle of the nineteenth century the destinies of English opera were controlled by a company presided over by Miss Pyne and Mr. Harrison, for which Balfe and Macfarren wrote a good many of their works. In more recent times the place of this institution was taken by the Carl Rosa company, which was founded in 1875 by a German violinist named Carl Rosa.
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