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Updated: May 9, 2025


With this goes, finally, the highest lesson of sport, drama, make-believe, even when we trace it up into the art-impulse the lesson of personal freedom. The child himself sets the limitations of the game, makes the rules, and subjects himself to them, and then in time pierces the bubble for himself, saying, "I will play no more."

The life is in the man, and not in the stone; and no affectation of vitality can atone for the absence of that soul which should have been breathed into existence from his own divine life. As was said, possession of self is the only condition under which the quantity and quality of the Art-impulse may be determined.

This analogy is curiously suggestive, though it is insufficient to account for all the phenomena concerned in human artistic production. The play theory, again, suggests that old and clairvoyant perception of the Greeks that the art-impulse deals with aesthetic appearances rather than with realities as such.

He did not understand architecture, he was unaware of its finest possibilities, but something in him akin to the art-impulse made him long to be an architect. But his father stamped out that ambition. He entered his father's works, and, however rebellious at heart, was continually submissive to his overmastering will.

Doubtless his critical attitude stimulated the young sculptress to industry; but the true art-impulse was awakened, and her friends soon observed that Miss Conway was no longer interested in their usual pursuits. When the whole truth was known, it caused much comment.

Thorwaldsen waited, wandering by the Tiber a thousand days, then in one, uttered his immortal "Night." Not even the severest self-examination will enable one in whom the Art-impulse exists to understand thoroughly its aim and uses; yet to approximate a clear perception of his own nature and that of the art to which he is called is one of his first duties.

The art-impulse, strikingly characteristic of Franz as a song composer, or, perhaps, to express it more accurately, the art-limitation, is that the musical inspiration is directly dependent on the poetic strength of the Lied. He would be utterly at a loss to treat a poem which lacked beauty and force.

As all life is growth, as there are no bounds to the possibilities of human experience, so the workings of the art-impulse cannot be compressed within the terms of a hard and narrow definition, and any abstract formula for beauty is in the very nature of things foredoomed to failure. No limit can be set to the forms in which beauty may be made manifest.

Antique Art, beside affording a standard by which the modern may be measured, has the remarkable property-giving it a higher value of testing the genuineness of the Art-impulse. Even to genius, that is, to the artist, a true Art-life is difficult of attainment.

Debussy's music, Browning's dramatic monologues, Henry James's short stories, were not written for Tolstoy's typical peasant. They would "transmit" to him nothing at all. But although Tolstoy, a man of genius, overstated his case with childlike perversity, he did valuable service in insisting upon emotion as a basis for the art-impulse.

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