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Updated: May 5, 2025
Miss Austen, setting down her thoughts of an evening in a copybook in her lap, interrupted by conversations and at the beck and call of household duties, does not seem as one who was acquiring the mastery of a difficult art-form. But the wind bloweth where it listeth and the evidences of skill are there; we can but chronicle the fact, and welcome the result.
Recognizing that art is organic, that an art-form, as religious painting or Gothic architecture or the novel, is born, develops, comes to maturity, lapses, and dies, that an individual work is the product of "race, environment, and the moment," that it is the expression also of the personality of the artist himself, criticism no longer regards the single work as an isolated phenomenon, but tries to see it in its relation to its total background.
The work that results from the combination is really a new art-form, in which the elements are changed and their individuality partly destroyed; and its value is a new value, which may be equal to, but is certainly no greater than, that of any other art-form. To put the matter epigrammatically, when the arts are added together, one plus one does not equal two, but only one again.
I think he was just intent on announcing Karma to the Athenians in the most effective way possible: bent all his energies to making that and that the natural result of that high issue clear and unescapable; purpose was this marvelous art-form which Sophocles took up later, and in some external ways perhaps perfected.
And, oh! the raging sea it could not hold! Besides, being confessedly an art-form, duly licensed to lie, it is apt to be misunderstood. It could not say in plain English, 'Meet me at the pier to-morrow at three in the afternoon'; it could make no assignation nearer than the Isles of the Blest, 'after life's fitful fever. Therefore, it seemed well to add a postscript to that effect in prose.
The dramatic lyric and monologue in which Browning set forth the varieties of passionate experience was an art-form of immense possibilities, which it was a work of genius to discover. To say that Browning, the inventor of this amazingly fine form, was indifferent to form has always seemed to me the extreme of stupidity. At the same time, its very newness puzzles many readers, even to-day.
First the outline of the story, in the speech for the plaintiff; then this outline filled in by the examination of the plaintiff himself; then the other side of the story adumbrated by his cross-examination. Think of the various further stages of a law-suit, culminating in the judge's summing up; and you will agree with me that the whole thing is a perfect art-form.
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