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Like the digressive poet Ariosto, I find myself under the necessity of connecting the branches of my story, by taking up the adventures of another of the characters, and bringing them down to the point at which we have left those of Jeanie Deans.

The life of Cotton Mather is as full of romance as the legends of Ariosto or the tales of Beltenebros and Florisando in Amadis de Gaul.

But the other, being in the style and metre of Messer Ariosto, is far more hazardous. It relates an event of our day, in the language of our day, and as it thus comes quite unveiled into our presence, the particular features of boldness seem far more audacious." "You are right," said he; "mysterious and great effects are produced by different poetical forms.

They meet and see much of Mary's mother's friend, Mrs. Gisborne, who grew much attached to both Shelley and Mary, and who, from her acquaintance with literary people, must have been a pleasant companion to them. They had letters of introduction to the Gisbornes from Godwin. While here Mary made progress with Italian, reading Ariosto with her husband.

In his earlier musings at Penshurst the poet had purposed to surpass Ariosto, but the gaiety of Ariosto's song is utterly absent from his own. Not a ripple of laughter breaks the calm surface of Spenser's verse. He is habitually serious, and the seriousness of his poetic tone reflects the seriousness of his poetic purpose.

Of all kinds of literature, Epic Poetry is the only one in which France has not obtained such success as to place her on a level with TASSO and MILTON. To make amends, her poets have followed with advantage the steps of ARIOSTO, without being able to surpass him.

"Ariosto derived inspiration from our serene atmosphere, and our delicious climate. He is the rainbow which appeared after our long wars; brilliant and many-hued, like that herald of fine weather, he seems to sport familiarly with life; his light and gentle gaiety is the smile of nature and not the irony of man.

Neither does the poem exhibit any prevailing force of imagery, or of expression, apart from popular idiomatic phraseology; still less, though it has plenty of infernal magic, does it present us with any magical enchantments of the alluring order, as in Ariosto; or with love-stories as good as Boiardo's, or even with any of the luxuries of landscape and description that are to be found in both of those poets; albeit, in the fourteenth canto, there is a long catalogue raisonné of the whole animal creation, which a lady has worked for Rinaldo on a pavilion of silk and gold.

The famed miracles of San Giovanni Gualberto added little, in our eyes, to the interest of Vallombrosa, but there were reverence and inspiration in the names of Dante, Milton, and Ariosto. We left Florence early, taking the way that leads from the Porta della Croce, up the north bank of the Arno.

I recited the fine verses of Ariosto, as if it had been rhythmic prose, animating it by the sound of my voice and the movements of my eyes, and by modulating my intonation according to the sentiments with which I wished to inspire my audience. They saw how hardly I could restrain my tears, and every eye was wet; but when I came to the stanza,