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Updated: June 27, 2025


They passed through a covered passage into a little garden overgrown with laurels and gnarled old pepper trees; there was a fountain with gold fish, and green arums were springing up about a broken faun's head set on a pedestal of verd' antico. Some men were standing together in the path, a pretty dark-eyed peasant girl with them.

The Marchesino's suggestion of a dinner there that evening had been prompted by the desire to draw his friend into the neighborhood of his charmer of the sea. By the manner of Artois when the Antico Giuseppone was mentioned, he knew at once that he was playing his cards well. The occupants of the white boat were known to the novelist. They did live somewhere near the Antico Giuseppone.

If the base be greenstone, basalt, or pitchstone, the rock may be denominated greenstone-porphyry, pitchstone-porphyry, and so forth. The old classical type of this form of rock is the red porphyry of Egypt, or the well-known "Rosso antico." RED QUARTZIFEROUS PORPHYRY is a much more siliceous rock, containing about 70 or 80 per cent of silex, while that of Egypt has only 62 per cent.

The largest specimens to be seen in Rome are the double-branched flight of seven very broad steps, leading from the nave to the high altar of Santa Prassede. Napoleon Bonaparte, a few months before his fall, had ordered these slabs of rosso antico to be sent to Paris to ornament his throne; but fortunately the order came too late to be executed.

The nero antico was the species most esteemed, on account of its compact texture, fine grain, and deep black colour, marked occasionally with minute white short straight lines, always broken and interrupted. It is the Marmor Tænarium of the ancients, quarried in the Tænarian peninsula, which forms the most southerly point in Europe, now called Cape Matapan.

In consequence of the quantity used in the inscriptional tablets of monuments, for which this seems to be the favourite material, nero antico is extremely scarce in modern Rome. The bigio antico is a grayish marble, composed of white and black, sometimes in distinct stripes or waves, and sometimes mingled confusedly together.

Next, if you climb up from this "Fontana rotta" to the village by the footpath, you will observe, on your right hand as you ascend the slope, at about a hundred yards below the Church of Saint Anthony, an old well standing in a field of corn and shaded by three walnuts and an oak. This well is still running, and was described to me as "molto antico."

Paulina's chapel at St. Maria Maggiore; two of oriental granite in St. Pudenziana; one of transparent oriental jasper in the Vatican library; four of Nero-Bianco, in St. Cecilia Transtevere; two of Brocatello, and two of oriental agate in Don Livio's palace; two of Giallo Antico in St. John Lateran, and two of Verdi Antique in the Villa Pamphilia.

Florence is a noble city, that still retains all the marks of a majestic capital, such as piazzas, palaces, fountains, bridges, statues, and arcades. I need not tell you that the churches here are magnificent, and adorned not only with pillars of oriental granite, porphyry, Jasper, verde antico, and other precious stones; but also with capital pieces of painting by the most eminent masters.

The chair is like an ordinary library chair, with solid back and sides, sculptured out of a single block, and perforated in the seat with a circular aperture. Rosso antico is not what might strictly be called a beautiful marble. Its colour is dusky and opaque, resembling that of a bullock's liver, marked with numerous black reticulations, so minute and faint as to be hardly visible.

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