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Updated: June 13, 2025


But Barezzi interpreted the rôle of father-in-law in a manner unlike that of Wieck, and to the youth to whom he had given not only instruction, but funds for his study and board and lodging while in Milan, he gave also his daughter, when the time came in 1836, Verdi being then twenty-three years old.

Aside from the disillusionment that had taken the glamour from Ernestine, Schumann had been slowly coming more and more under the spell of Clara Wieck. The affair with Ernestine seemed to have been only a transient modulation, and his heart like a sonata returned to its home in the original key of "carissima Clara, Clara carissima."

Wieck has been the subject of much criticism on account of his supposed harshness and severity. In the matter of Clara's musical training, however, these charges cannot be sustained, as one of her own letters will show. "My father has come before the world in an entirely false light," she writes, "because he took art earnestly, and brought me up to regard it earnestly.

That Robert and Clara, so long as Wieck lived, should not make their residence in Saxony; but that Schumann must none the less make as much money in the new home as his Zeitschrift brought him in Leipzig. 2. That Wieck should control Clara's property for five years, paying her, during that time, five per cent. 3.

It is needless to say that the praises he lavished in print, would be no more cordial than those he bestowed on her in the privacy of the home. For he and she seemed to be as son and daughter to old Wieck, who was also greatly interested in the critical ideals of Schumann, and joined him zealously in the organisation and conducting of the Neue Zeitschrift für Musik.

Even Spanish bravery recoiled at so desperate an undertaking, but unscrupulous ferocity supplied an expedient where courage was at fault. There were few fighting men present among the population of Wieck, but there were many females. Each soldier was commanded to seize a woman, and, placing her before his own body, to advance across the bridge.

Your father himself said to me the fearful words: 'Nothing shall shake me. Fear everything from him, he will compel you by force if he cannot by trickery. Fürchten Sie Alles!" Wieck consented to permit them to meet publicly and with a third person, but not alone, and to correspond only when Clara was travelling. His reasons were his ambition for her, her youth.

In 1830, two years after the first meeting of Robert and Clara, Schumann, his father having died, wrote to his mother and his guardian and begged them to allow him to choose a musical career, referring them to Wieck for an opinion as to his musical abilities.

The day of Beethoven and Schubert was apparently passing, and only the lighter and more trivial styles of composition held sway. Her father, however, Friedrich Wieck, was a piano teacher of extensive reputation and most excellent qualities, and did his best to raise the standard of the place. From him, and from her mother as well, the young Clara inherited her innate musical taste.

But their friendship continued cordial and intimate, and Wieck went into partnership with him in the Neue Zeitschrift für Musik; he was a member of the famous Davids-bündler, that mystical brotherhood of art, wherein Clara is alluded to as "Chiara," perhaps also as "Zilia."

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