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Hilda Wangel, Nora, Hedda Sir Robert would never even have spoken to such baggages! Mon sieur Bergeret an amiable weak thing! D'Artagnan a true swashbuckler! Tom Jones, Faust, Don Juan we might not even think of them: And those poor Greeks: Prometheus shocking rebel. OEdipus for a long time banished by the Censor.

Much more followed, but in those words lay the sting of the scorn. It is a scorn that many poets and writers suffer when confronted by the man of action, or even by the man of affairs. When it comes to action, all the finest words ever spoken, and all the most beautiful poems and books ever written, seem so irrelevant, as Hilda Wangel said of reading.

If she had been a robust egoist, and realised her nature to the full, she would have been a Hedda Gabler "reversed," in a word, the Hilda Wangel of The Master Builder. But with Mildred she lacked the strength either to renounce or to sin. And Undine Spragg hadn't the courage to become downright wicked; the game she played was so pitiful that it wasn't worth the poor little tallow-dip.

Hilda Wangel, Nora, Hedda Sir Robert would never even have spoken to such baggages! Mon sieur Bergeret an amiable weak thing! D'Artagnan a true swashbuckler! Tom Jones, Faust, Don Juan we might not even think of them: And those poor Greeks: Prometheus shocking rebel. OEdipus for a long time banished by the Censor.

According to this view, the apotheosis of Ibsen's genius, or at least the most successful elucidation of his scheme of ideological drama, is reached in the scene in The Lady from the Sea where Wangel succeeds in winning the heart of Ellida back from the fascination of the Stranger.

I scarcely venture to think of it, and yet I think of nothing else. Ah! forever!" He did not dare to send her The Master-Builder, since her presence interpenetrated every line of it like a perfume, and when, we are told, she sent him her photograph, signed "Princess of Orangia," her too-bold identification of herself with Hilda Wangel hurt him as a rough touch, that finer tact would have avoided.

Ellida, in her overwrought mood, is evidently inclining to yield to the uncanny allurement of the Stranger's claim upon her, when Wangel, realizing that her sanity is threatened, says: WANGEL: It shall not come to that. There is no other way of deliverance for you at least I see none. And therefore therefore I cancel our bargain on the spot. Now you can choose your own path, in full full freedom.

The conclusion of the play Ellida's clinging to Wangel and rejection of the Stranger depends entirely on a change in Wangel's mental attitude, of which we have no proof whatever beyond his bare assertion.

Thus Boletta and Hilda Wangel were originally intended to have been the daughters of Rosmer and Beata; and the delightful Foldal of John Gabriel Borkman was a character left over from The Lady from the Sea. The playwright cannot proceed far in planning out his work without determining, roughly at any rate, what auxiliary characters he means to employ.

Do you mean it from your inmost heart? WANGEL: Yes from the inmost depths of my tortured heart, I mean it.... Now your own true life can return to its its right groove again. For now you can choose in freedom; and on your own responsibility, Ellida. ELLIDA: In freedom and on my own responsibility? Responsibility? This this transforms everything. and she promptly gives the Stranger his dismissal.