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This was none less than a translation of the "Lives" of Plutarch, a work which has had a very remarkable moral effect on the Frenchmen of four centuries. We know not which this particular translation was, but it would be pleasant to think it was that made by Amyot in 1559. The effect it had on the temperament of Vauvenargues must be told in his own words.

With an exquisite and simple politeness he would leave us wondering a little who this pathetic young man, with all the stigmata upon him of poverty and sickness bravely borne, might be; and there would be none to explain to us that it was the Marquis de Vauvenargues, come home a broken man from the wars in Bohemia.

This boyish appreciation is worthy of our attention, because it contains the future moral teaching of Vauvenargues as in a nutshell. To our great regret, it is the only positive record which survives of the adolescence of this great mind, on whose development we should so gladly dwell if it were possible.

Delicacy and warmth of affection were prominent characteristics in Vauvenargues. Perhaps if his life had been passed in less severe circumstances, this fine susceptibility might have become fanciful and morbid.

Luc de Clapiers, whose father was raised to the marquisate of Vauvenargues in 1722, was born seven years earlier than that, at Aix in Provence, where his father was mayor. It is a pleasant touch to be told that his father was the only magistrate who did not desert his post when Aix was swept by the plague in 1720. There seems a foreshadowing here of his famous son's high courage.

Although Vauvenargues was twenty years younger than his friend, Voltaire succumbed to the gravity of his demeanour; like the fellow-officers at Arras or at Metz, we smile to find him addressing Vauvenargues as mon père.

Vauvenargues was sufficiently free from all taint of the pedagogue or the preacher to have dispelled the sophisms of licence, less by argument than by the gracious attraction of virtue in his own character.

But all eloquent and full of feeling as he is in his writings, he was even more so still in his conversation. Marmontel felt sincere grief when Vauvenargues died, and in the Epistle to Voltaire expressed his sorrow in some fair lines. They contain the happy phrase applied to Vauvenargues, 'ce coeur stoïque et tendre. In religious sentiment Vauvenargues was out of the groove of his time.

The uniform and reasoned preference which Vauvenargues had for Racine over Molière and Corneille, was only the transfer to art of that balanced, moderate, normal, and emphatically harmonious temper, which he brought to the survey of human nature.

It was part of the constructive genius of Vauvenargues to find the aim and joy of life in a combination of sentiment and action, in a community of rivals amiably striving for the crown with fellowmen of like instincts and of like experience.