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Updated: June 12, 2025


This man was captain of the starboard bow-chaser, one of the two long twenty-four-pounders on the forecastle. In time of action, the command of that iron Thalaba the Destroyer would devolve upon him.

In the four great narrative poems of his later years, there is a combination of two striking qualities, viz., a peculiar command over the visually splendid, connected with a deep-toned grandeur of moral pathos. Especially we find this union in the Thalaba and the Roderick; but in the Joan of Arc we miss it.

Is the Gospel which she has represented in so many attractive lights nothing better to her, after all, than "fabula ista de Christo"? Are the various forms under which she has exhibited it no more for her than the Mahometan and Hindoo systems were for the poet of Thalaba and Kehama? Has she been carrying out in these novels the precepts of that chapter in which Dr.

The man who could write the verses "In my Library" and the best parts of Thalaba and Kehama certainly had it in his power to write other things as good, probably to write other things better.

But men there be, who doubt His ways not just, As to His own edicts found contradicting, Then give the reins to wandering thought, Regardless of His glory’s diminution; Till, by their own perplexities involved, They ravel more, still less resolved, But never find self-satisfying solution. And now take the opening stanza of Thalaba:—

Southey to hope that there is a Paradise Press, at which all the valuable publications of Mr. Murray and Mr. Colburn are reprinted as regularly as at Philadelphia; and delicately insinuates that Thalaba and the Curse of Kehama are among the number. What a contrast does this absurd fiction present to those charming narratives which Plato and Cicero prefixed to their dialogues!

In Thalaba, to speak in derogation of the Arabian impostor is blasphemy: to drink wine is a crime: to perform ablutions and to pay honour to the holy cities are works of merit. In the Curse of Kehama, Kailyal is commended for her devotion to the statue of Mariataly, the goddess of the poor. But certainly no person will accuse Mr.

And I went, during the bright period of his success, to so few of those awful pageants which require a black dress-coat and what the ungodly call, after Mr. Dickens, a white choker, that in the happy retreat of my own dressing-gowns and jackets my days went by as happily and cheaply as those of another Thalaba. And Polly declares there was never a year when the tailoring cost so little.

This was a pleasant book, designed, like Goldsmith's "Citizen of the World," to help us to see ourselves as others see us. In the following year, 1808, Southey already known as the author of "Thalaba," published in 1802, and of "Madoc," published in 1805 produced this "Chronicle of the Cid."

And I went, during the bright period of his success, to so few of those awful pageants which require a black dress-coat and what the ungodly call, after Mr. Dickens, a white choker, that in the happy retreat of my own dressing-gowns and jackets my days went by as happily and cheaply as those of another Thalaba. And Polly declares there was never a year when the tailoring cost so little.

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