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Accordingly, to this time, to the sixth century, the universal Welsh tradition attaches the great group of British poets, Taliesin and his fellows. In the twelfth century there began for Wales, along with another burst of national life, another burst of poetry; and this burst LITERARY in the stricter sense of the word, a burst which left, for the first time, written records.

Nash, whose Taliesin it is impossible to read without profit and instruction, for classing him among the Celt-haters; his determined scepticism about Welsh antiquity seems to me, however, to betray a preconceived hostility, a bias taken beforehand, as unmistakable as Mr. Davies's prepossessions. But Mr.

"Hast thou heard what Avaon sung, The son of Taliesin, of the recording verse? The cheek will not conceal the anguish of the heart." "Didst thou hear what Llywarch sung, The intrepid and brave old man? Greet kindly, though there be no acquaintance."

When the king and his nobles had heard the song, they wondered much, for they had never heard the like from a boy so young as he. And when the king knew that he was the bard of Elphin he bade Heinin, his first and wisest bard, to answer Taliesin, and to strive with him.

But when he came he could do no other than play "Blerwm!" on his lips; and when he sent for the others of the four and twenty bards, they all did likewise, and could do no other. And Maelgan asked the boy Taliesin what was his errand, and he answered him in song: "Elphin, the son of Gwyddno, Is in the land of Artro, Secured by thirteen locks, For praising his instructor.

Owen about the spread of the English language in Wales being quite compatible with preserving and honouring the Welsh language and literature, was tersely set down as 'arrant nonsense, and I was characterised as 'a sentimentalist who talks nonsense about the children of Taliesin and Ossian, and whose dainty taste requires something more flimsy than the strong sense and sturdy morality of his fellow Englishmen.

Suppose we compare Taliesin, as Mr. Nash invites us, with the gleeman of the Anglo-Saxon Traveller's Song. Take the specimen of this song which Mr.

Peter came running after me: 'One moment, young man, who and what are you? 'I must answer in the words of Taliesin, said I: 'none can say with positiveness whether I be fish or flesh, least of all myself. God bless you both! 'Take this, said Peter, and he thrust his Welsh Bible into my hand.

In the fifth and sixth centuries A. D., when the old manvantara was closing, Europe was flung into the Cauldron of Regeneration. Nations and fragments of nations were thrown in and tossing and seething; the broth of them was boiling over, and, just as the the Story of Taliesin, flooding the world with poison and destruction: and all that a new order of ages might in due time come into being.

There is a story of the adventures of Taliesin so strongly marked with mythical traits as to cast suspicion on the writings attributed to him. This story will be found in the subsequent pages. The Triads are a peculiar species of poetical composition, of which the Welsh bards have left numerous examples.